That time in 2022 that I found the 12″ single for Charo “(Mamacita) ¿Donde Esta Santa Claus?” at PCC Flea Market. (Photo: Liz O.)
The 12” appeared in the midst of a deep dig through crates set up inside a Pasadena City College parking garage during the monthly PCC flea market. I had already excavated records by Harry Nilsson, Tangerine Dream and Patrice Rushen when a friend, whose visit to Los Angeles was the catalyst for this adventure, called me over to a booth filled with soundtrack albums and soul records. I flipped through As the Record Turns ‘ vinyl selection and paused when I noticed “(Mamacita) ¿Donde Esta Santa Claus?” the 1978 disco Christmas single from Charo, “A Tom Moulton Mix” released as an extended 12” single on Salsoul with a stamped note on the backside of the cover that read:
“In all my life, the most happy time of the year is Christmas and I want to share it with you. When you play this record I’ll be with you. Merry Christmas. Love and cuchi cuchi, Charo.”
Here are some of the records I played at Vidéothèque’s opening party (I actually bought that ?tella record at Vidéothèque last year) and the Groovie Goolies box set I rented.
On Saturday morning, I finally finished watching the entire original Dark Shadows series. After IDK how many months of binging through storylines about vampires, witches (RIP Lara Parker, who played the best daytime villain ever), werewolves, portals into parallel universes, a creepy kid who keeps getting possessed by ghosts, a doctor who prescribes sleeping pills and seances, etc., I’m not really sure what to do with myself. Or, at least I wasn’t until last night’s gig at Vidéothèque, when I spotted aGroovie Goolies box set in the Halloween section. Now I have a week to power through this early 1970s cartoon series in between work and Halloween DJ gigs.
The marimba from Señor Coconut’s cover of “Trans Europe Express” reverberates down Elmyra Street, about half a block away from Homage Brewing. I recognize the song instantly because there’s a copy of the 12” single that’s been in my collection for more than 20 years. It was something that I loved on a conceptual level— German producer moves to Chile and releases Kraftwerk covers in various Latin American music styles— but also turned out to be a useful record to own if you like people asking “What is this?” when playing all-vinyl bar DJ gigs.
This is basically my dream home. Spotted at King Richard’s Antique Center in Whittier. (Pic: Liz O.)
The best way to experience King Richard’s Antique Center is when you have a lot of time on hand and, probably, a good amount of money to spend. However, on my most recent trip to the 57,000 square foot vintage and antique market in Whittier, I had neither and it was still a very good time.
Michael Quatro at Melba Moore records found at the In Sheep’s Clothing x Japonesia Night Market at Homage Brewing in Chinatown (Photo: Liz O.)
In July, I wrote a story for LAist about how there are loads of cheap or free concerts happening in L.A., but finding out about them has become increasingly difficult because social media sucks and local music coverage is virtually nonexistent. It was a popular story. I ended up talking about it on LAist radio twice, including a spot that ran on Morning Edition. Loads of people told me they were having the same issue finding out about shows. Someone even came up to me while I was DJing at Underground and mentioned reading it.
I think about vinyl a lot. You might have already figured that out. I’ve written about my digs through the used bins. I’ve interviewed other collectors, as well as some of the people behind some of L.A.’s longtime recordstores. Plus, organizing my own stacks is a never-ending task that sometimes turns up old tunes that sound new and end up in the occasional all-vinyl DJ sets I play.
