Tag Archives: indie dance

On 3 AM (La La La), Confidence Man Offers a ’90s Throwback With a Twist

Confidence Man 3 am La La La album cover

I was on the treadmill the first time I listened to 3 AM (La La La), the latest album from Confidence Man, walking at 3.5 miles an hour, a brisk pace, but not quite enough to keep up with the strobelight pulse of songs like “I Can’t Lose You” and “Control.” Maybe I could have stepped up my own speed to a run, or at least a jog, but I didn’t feel like it, so I kept walking off beat, waiting to see if the vibe would shift somewhere over the course of an album that, four songs in, was  starting to sound a little too much like a late ‘90s Eurodance throwback. 

Confidence Man is the Australian four-piece fronted by Janet Planet and Suga Bones and backed by the veiled and cloaked individuals Reggie Goodchild and Clarence McGuffie. I first heard them during lockdown when someone DMed me Yuksek’s track “Gorgeous,” which features Confidence Man. Two years later, the band released Tilt, their second full-length, which quickly became a personal favorite. “Angry Girl” is the song that has appeared most often in my sets since 2022 because it has a dance punk vibe that works very well at L.A. clubs and it mixes seamlessly with The Rapture’s “House of Jealous Lovers.” But, the thing that made Tilt one of my favorite albums of that year was that it was super cheeky and the music was all over the place, kind of like a cross between Bis and Chicks on Speed back at the turn of the millennium. Given the new album’s title, which definitely alludes to both KLF (“3 AM Eternal”) and maybe also references ATC (“Around the World (La La La La La)”), it seemed like Confidence Man would continue that vibe. Fifteen minutes into 3 AM (La La La), though, I started to think that the spirit driving TILT was lacking on this album. 

If I were tuned into Spotify, I would have just skipped through tracks or moved on to another album, but I actually purchased 3 AM (La La La) and downloaded it without hearing more than a couple preview Reels on Instagram. I had to stick it out for the whole album. 

Continue reading On 3 AM (La La La), Confidence Man Offers a ’90s Throwback With a Twist

Future Islands at The Shrine, September 18, 2024

Future Islands live at The Shrine in Los Angeles on Wednesday, September 18, 2024 (photo: Liz Ohanesian)
Future Islands live at The Shrine on September 18, 2024 (pic: Liz O.)

I saw the first Future Islands fan rush the stage at the end of “Corner of My Eye,” which closed out the band’s main set at The Shrine on Wednesday night. The way I remember it, which may or may not be 100% accurate, Samuel T. Herring was singing “thank you, thank you.” Someone in a plaid shirt ran up from audience’s right hand side and embraced the singer. Security appeared. Herring said something along the lines of, it’s okay. Later on, when Future Islands and openers Oh, Rose were in the midst of a “Vireo’s Eye” dance party during the encore, I saw two more people hop on to the stage, where they were promptly chased off by security. It was a déjà vu-inducing scene for me, and maybe for anyone else in the crowd who has been to a Morrissey show. 

It was a fitting end to the night because, nearly two hours earlier, when Future Islands kicked off the show with “King of Sweden,” I thought, this vibe is so Morrissey. Herring has a different style of performance than Moz— there’s a good amount of HIIT-level cardio happening during a Future Islands show— but he also taps into a similar level of intensity that is infectious. The teenage girls in front of me bopped up and down excitedly. The totally ordinary looking dudes a few rows in front morphed into dancing machines. I wondered if anyone would rush the stage. It took a while, but they did. 

Continue reading Future Islands at The Shrine, September 18, 2024

Happening in L.A.: July 11 – July 17

Yeah Yeah Yeahs x Siouxsie Nite at Club Underground in Los Angeles with DJs Larry G and Liz O. on Friday, July 12, 2024

This Friday, I’m back at Club Underground with Larry G. for Yeah Yeah Yeahs x Siouxsie Nite. Both floors of Grand Star Jazz Club will be open and tickets are available now. Party starts at 9:30 p.m. and it’s 21+. Find the Grand Star at 943 N. Broadway inside Chinatown’s Central Plaza next to the Bruce Lee statue.

Click here for more info on Yeah Yeah Yeahs x Siouxsie Nite at Club Underground. 

As for the rest of the weekend and into next week, your options include Pearl and the Oysters’s free show at Levitt Pavilion on Saturday. Also happening Saturday is Razorcake’s annual chili cook-off at Footsies and Décadanse’s tribute to Francoise Hardy at the Grand Star. On Monday, Ed Harcourt is playing at The Stowaway, which is a very intimate venue. Tuesday night, my favorite Schwarzenegger movie, The Running Man, screens at Vidiots in Eagle Rock. There’s plenty more happening in L.A. too. Check out the list below. 

Continue reading Happening in L.A.: July 11 – July 17

Here’s What I Played at Decadanse x Underground on July 5, 2024

Photo of full dance floor at Club Underground at Grand Star Jazz Club in Chinatown, Los Angeles on July 5, 2024
The scene at Grand Star Jazz Club for Decadanse x Underground on July 5, 2024

Decadanse x Underground was such a great time and I’m happy to have been a part of it. DJs Pierrot and Fifi LaRoux played French pop on vinyl downstairs. Larry G. and I brought the indie vibes upstairs. We switched off on the controllers about every half hour or so. 

“Amour Ex Machina,” from L’Impratrice’s new album, Pulsar, did pretty well for my first time playing it out. “Digitalism in Cairo,” the Digitalism track that samples “Fire in Cairo” by the Cure, made a reappearance after many years. People probably don’t recall it was a big track back in the ‘00s. 

Anyhow, I’ll be back at Underground next Friday, July 12, for Siouxsie x Yeah Yeah Yeahs Nite. Tickets are already available on Restless Nites, Dice and Eventbrite

Check out my set list from Decadanse x Underground at Grand Star Jazz Club on July 5, 2024.

Continue reading Here’s What I Played at Decadanse x Underground on July 5, 2024

This 12-Year-Old School of Seven Bells Song Still Hits Like It’s New

School of Seven Bells Ghostory on vinyl
My vinyl copy of School of Seven Bells’ 2012 album, Ghostory.

When a song isn’t instantly recognizable, you can see it on the faces in the crowd. They’ll shoot befuddled glances around the room, scope the scene and see how many people look like they know it. They half-dance, as if they’re still deciding whether or not to stay on the floor. 

In the DJ booth, this is a tense moment because there are a few ways that the scenario can play out. They might leave the dance floor, taking a handful of people with them. Or, someone who is equally bold and clueless might come up to the booth with the “play something I know” request. In the best possible instances, they stick with the groove and keep moving.

I see people cast the “I don’t know this song, should I dance?” glance whenever I play “Low Times” by School of Seven Bells. The song is 12 years old, and I’ve been playing it for just as long, but it still hits as if it were new. Even though it’s not a song that people automatically know, they keep dancing. Every time, the crowd grows and energy builds alongside the heart-pounding rhythm and breathless vocals. 

Continue reading This 12-Year-Old School of Seven Bells Song Still Hits Like It’s New

Here’s What I Played at Club Underground on Friday, June 14, 2024

Actors In Real Life single cover
Cover of Actors single for “In Real Life.”

I forgot to take pics last night at Underground. It happens. But, it was another fun night on Friday, the memories of which become hazy after playing music for four hours. I do, however, recall that I really like the way Actors latest single, “In Real Life,” sounds with Roxy Music’s song “More Than This.” It makes sense in my head because Actors always sounded less like a “darkwave”  or “postpunk” band to me and more like people who have listened to a lot of Roxy Music, Bowie, Japan and Duran Duran. But, that doesn’t mean that two songs will go well together and I never know for sure until I try it. 

(Just in case you’re wondering, all my sets are improvised, but, when you’ve been DJing since you were 18 and you’re now a far cry from that, you have a good feel for which songs go together and which ones don’t.)

Also new to my set is “Hechizos” by Glass Spells, which you might have heard me play on Dublab last week. If not, you can click on this link to the archive of the show. Glass Spells are from San Diego and are currently on tour, but, unfortunately, don’t have an L.A. date. However, they will be at the Observatory in Santa Ana on July 17. Check Glass Spells’ website for other upcoming tour dates. The other new addition to my set is Boy Harsher’s remix of Chelsea Wolfe’s song “House of Self-Undoing,” which I love. Anyhow, here’s the set list.  

Continue reading Here’s What I Played at Club Underground on Friday, June 14, 2024

Pulsar, the New Album from L’Impératrice, Is Out Now

L'Imperatrice Pulsar press photos by Augustin JSM
L’Impératrice (Photo by Augustin JSM)

In April of 2021, I saw L’Impératrice live at the Fonda Theatre in Los Angeles. Three years later, the thing that stands out about that show is how hard everyone danced.. There was one point when singer Flore Benguigui got low and the audience did the same.

I was in the balcony that night and, from my vantage point, I saw a broken heart totem and a crown totem bouncing above bobbing heads. When L’impératrice turned songs from Tako Tsubo, like “Submarine” and “Peur des filles” into full-blown disco jams — the latter sounding like “Love to Love You, Baby”— it felt like the crowd was moving as a single body. Before that night, I had spent more than a month listening to Tako Tsubo  on repeat, partially because I interviewed L’Impératrice for Audiofemme, but also because the album quickly became a favorite of mine for that year. But, L’Impératrice live is a whole other level of wild energy that I hadn’t heard in their recordings, at least until now. 

Continue reading Pulsar, the New Album from L’Impératrice, Is Out Now

Here’s What I Played at Underground’s 2000s Nite on May 31, 2024

Dance floor scene at Club Underground 2000s Nite at Grand Star Jazz Club in Los Angeles on May 31, 2024. (Photo: Liz Ohanesian)
The scene just before midnight on the dance floor at Club Underground. May 31, 2024. (Pic: Liz O.)

I’m not one for nostalgia, but ‘00s Nite at Club Underground on May 31 did make me feel a bit wistful for the final decade of life untethered to phones and social media and streaming platforms. I wouldn’t say the ‘00s were a particularly great decade (like I’ve written before, it wasn’t), but it was nice to not be connected to everyone, everywhere, all the time.

In keeping with this week’s theme at Underground, I busted out one of my favorite mashups, which I had downloaded and burned to a CD for gigs back in the ‘00s, and ended the night with the song that was my closer in the earliest years of that decade. Keep reading for the set list.

Continue reading Here’s What I Played at Underground’s 2000s Nite on May 31, 2024

I’m Back at Underground on May 31 for 2000s Nite

Club Underground 2000s Nite May 31, 2024

I’ll be heading back to the DJ booth at Underground on Friday, May 31 for 2000s Nite. Head down to Grand Star Jazz Club to hit the dance for all your favorite jams from the likes of White Stripes, Franz Ferdinand, Interpol, Ladytron, Yeah Yeah Yeahs, Miss Kittin and the Hacker, Peaches and so many more.

Party starts at 9:30 p.m. and it’s 21+. Grand Star Jazz Club is at 943 N. Broadway inside Chinatown’s Central Plaza, next to the Bruce Lee Statue. Both street and lot parking are available in the neighborhood and the venue is across Broadway from Metro’s A Line stop in Chinatown. Tickets are available now on Eventbrite and Dice.

Liz O. is an L.A.-based writer and DJ. Read her recently published work and check out her upcoming gigs.

Related:

HERE’S WHAT I PLAYED AT UNDERGROUND ON APRIL 12, 2024

HERE’S WHAT I PLAYED AT UNDERGROUND ON MARCH 8, 2024