Jeff Jacquin and Joey Cevetello of Grey Factor (Photo courtesy of the band)
When first wave L.A. synth band Grey Factor originally played around town, it was the junction of the 1970s and 1980s, an era when synths were more cumbersome and complicated than they are today and local audiences weren’t totally sold on electronic music.
Back then, Jeff Jacquin and Joey Cevetello, the core of the group, and their bandmates lugged analog gear into punk clubs. Sometimes, they brought their own soundboard as well. Cevetello carried pieces of paper with charts showing how all the knobs on the synthesizers should be arranged. Their stands were repurposed shelving units.
Included in my top 10 albums of 2023 are (top row) Taleen Kali “Flower of Life,” Grey Factor “1979-1980 A.D.” (bottom row) Optometry “After-Image,” Decisive Pink “Ticket to Fame”
I don’t know if the annual “best of” lists are necessarily fair. There is still a virtual pile of 2023 albums on my Bandcamp wishlist and running list in my head of albums that I need to hear. There are likely new albums from bands I follow that I don’t know about because, well, you know how social media works these days. Then there are the albums and bands who aren’t even on my radar, but will be next year, or the year after that, or maybe a half-decade down the line. Still, I made a list of my top 10 albums of 2023 that include music you may have heard in my DJ sets IRL, on Mixcloud or a few of the radio appearances I’ve done this year.
