Beetlejuice hanging at Alex’s Bar, October 17, 2024 (Pic: Liz Ohanesian)
I think I have a backlog of playlists that haven’t been posted, but this one is from last night at Alex’s Bar in Long Beach for Klub Nocturno presents Darkwave Night. Thanks to everyone who was there. The energy was fantastic. I’d write more, but I’m still half-asleep, so peep the playlist below and I’ll see you on the dance floor soon. Click on this link to see what gigs I have on the calendar for the rest of the month and follow along on Instagram.
This was my new from DJ booth in the Jewel’s Room at Catch One for Nocturno on Saturday, August 31. (Pic: Liz O.)
It’s Sunday morning, I’ve hardly slept. I have Sacred Skin’s song “Call It Off” running through my head and Depresion Post Mortem’s cover of “Yo Voy” fighting to overtake it. Still, I’m going to try to explain last night’s gig at Klub Nocturno in a way that people who normally don’t know what I’m rambling about will understand. It might not work, but we’ll try. (Scroll down if you just want to see the set list.)
Last night, Klub Nocturno took over Catch One, which is this massive, multi-room disco that has an amazing history going back to actual disco L.A. There were five dance floors of varying sizes going all night: Rock en Español vs. Cumbia, Indie vs. 80s, Deftones Night, Corrido Night and Sad Bunny Night. I played Indie vs. 80s in the Jewel’s Room, where the dance floor is on the ground level of the building and a staircase in the corner leads up to a mezzanine, where the DJ booth is located, before heading towards the second level of the club.
I have a view from the booth that overlooks the dance floor and stage. Usually, it’s not until right around 10 p.m. that I see the room begin to fill with people. Last night, I started playing at 9:30 on the dot and began to see signs of life on the dance floor three or four songs into the set. By the time I mixed “Rippin Kittin” into “Something to Remember Me By,” the dance floor was alive and growing.
The first time I heard people scream for a song that night was during “Love My Way,” the Psychedelic Furs classic, which was maybe at around 10:30 p.m. The energy was incredible. I’d look down and see this big mass of people under the purple and red glow of the lights. I could hear them singing along to The Strokes song “Reptilia” and Le Tigre’s big ’00s club hit “Deceptacon.”
When the intro of “Smalltown Boy,” the Bronski Beat’s jam, faded in at midnight, the screams were wild. TBH, that’s really the song of summer 2024, even though it’s literally 40 years old. I hear it everywhere from clubs to the A Line.
The room hit its peak at midnight. People chanted through “Living on Video” and sang along with “Two of Hearts.” There were dancers in the mezzanine lounge area too, so during the stretch from “Smalltown Boy” through “Goodbye Horses,” I felt like I was DJing in the middle of the dance floor.
It was one of those nights that passed all too quickly. I looked at my laptop, noticed it was after 1 a.m. and realized that I had to start dropping the big sing-a-long numbers— “Love Will Tear Us Apart,” “There Is a Light,” “Just Like Heaven”— immediately and try to squeeze in as many requests as I could. (I had more than four hours of requests, which came in before the party started, loaded into Rekordbox.) Anyhow, it was an awesome night and you can see my set list below.
View from the DJ booth in the new wave/darkwave room at Klub Nocturno. (Pic: Liz O.)
There were a lot of requests for the new wave/darkwave room at Nocturno on Saturday night. Most of them came before the event and I started a separate playlist in Rekordbox just to keep track of them. The most requested song of the night was “Club de Vampiros” by French Police, which you heard a little after midnight at the start of my second set.
My favorite request came in person at the club, maybe a little before 1 a.m. Someone asked for Miguel Bosé, which I was happy to oblige. For a minute, though, I feared that I wouldn’t be able to play it after all because the night was coming to a close and I kept thinking of big songs that hadn’t been played yet, like “Tainted Love.” Fortunately, though, “Amante Bandido” made an appearance right before the last song of the night.
As always, Nocturno was a blast. Thanks for dancing and thanks for the requests. Keep reading for my set lists.
The scene at Grand Star Jazz Club for Decadanse x Underground on July 5, 2024
Decadanse x Underground was such a great time and I’m happy to have been a part of it. DJs Pierrot and Fifi LaRoux played French pop on vinyl downstairs. Larry G. and I brought the indie vibes upstairs. We switched off on the controllers about every half hour or so.
“Amour Ex Machina,” from L’Impratrice’s new album, Pulsar, did pretty well for my first time playing it out. “Digitalism in Cairo,” the Digitalism track that samples “Fire in Cairo” by the Cure, made a reappearance after many years. People probably don’t recall it was a big track back in the ‘00s.
Anyhow, I’ll be back at Underground next Friday, July 12, for Siouxsie x Yeah Yeah Yeahs Nite. Tickets are already available on Restless Nites, Dice and Eventbrite.
Check out my set list from Decadanse x Underground at Grand Star Jazz Club on July 5, 2024.
Cover art for Get There, the new album from Model Child
It’s always a good idea to sign up for band mailing lists. If I hadn’t added my info to Zoot Woman’s mailing list, I wouldn’t have known that the band dropped a new album, Maxidrama, this month.
On Saturday, it felt like summer had arrived. That is unfortunate if you, like me, have an aversion to sunlight and sweat. The upside was that I was DJing in the new wave/darkwave room at Nocturno on Saturday night, so I could avoid the sun. Since online tickets had already sold out, though, I had to prepare for a hot night. That’s when fishnets really come in handy. In fact, I think fishnets and Sambas might end up being my 2024 club uniform. After a four-and-a-half-hour DJ set, I felt pretty good. (Three cans of water probably helped too.)
It was a really fun night. There were stilt walkers who came out to the stage in the new wave/darkwave room twice, dancing to French Police and Sisters of Mercy during one set and Depeche Mode and Visage in the other. The crowd let out disco calls during “Blue Monday.” It was a vibe.
Boy Harsher’s remix of Chelsea Wolfe’s song “House of Self-Undoing,” which was released earlier in the week, made its second appearance in my sets this weekend. Since it’s brand new, I’ve been testing it out early in the night, but I’m really into it, so you’ll probably be hearing this later in the nights going forward. The remix is available on Bandcamp, by the way, so get it into your own collection if you’re so inclined. (That’s not an ad or a sponsored link, btw, but Bandcamp is my personal first choice for digital music.)
On Saturday, June 15, Klub Nocturno heads back to Catch One in Los Angeles for five rooms of dancing. You can hop between Rock en español vs. cumbia, new wave vs. darkwave (where I’ll be DJing), Deftones night, Sad Bunny Night and disco. Tickets are available now. Click this link to get yours.
On Friday, May 24, I headed down to San Diego to play in the new wave vs. darkwave room at Klub Nocturno’s show at House of Blues. This was the first time I’ve played a club in San Diego and it was definitely a good night. The energy was fantastic, with people staying on the dance floor until the house lights went up. Plus, there were some great requests and a few cool band t-shirts that I read as requests. Keep reading for the set list.
Dancing to “Love Will Tear Us Apart” in the New Wave vs. Darkwave room at Klub Nocturno’s 4th Anniversary Party on May 10, 2024 (Pic: Liz O.)
Thanks to Klub Nocturno for asking me to be a part of their 4th anniversary party last night. It was amazing. Online tickets sold out a few days before the event and, from what I saw on Insta, the few remaining tickets at the door went quickly. A big surprise for the night was the first U.S. performance of Depresíon Post-Mortem. I didn’t get to see their set, but did get to hear soundcheck, which was a real treat. You can hear Depresíon Post-Mortem on Soundcloud or Spotify and you should do that as soon as you have the chance because both their covers and original tunes are fantastic.
I played open to close in the New Wave vs. Darkwave room. Sometime after 11 p.m., while playing “Sex Dwarf,” I flashed back to Stigmata, which was *the* big Friday night alternative club when I was fresh out of high school. It was a combination of the song and the energy inside the room that made me think about being out with my friends when we were 18 or 19 and dancing so hard that we were dripping sweat, but still couldn’t leave the dance floor. I dropped “Sex (I’m a…)” into the set after that and realized that I’m 99% sure that’s how those two songs were played at Stigmata. It was long time ago— like, back in the days of paper flyers and L.A. Weekly club ads— so maybe I’m misremembering, but some things just stick with you. And, for me, those things are usually songs.
It’s been a while, but I finally made a new Beatique mix. It’s a bunch of relatively new music, a mix of indie, darkwave and synthpop with a touch of shoegaze. I’d say more, but DJs talking about DJing is boring af, which is why I hate Threads. Anyhow, give the mix a listen here or on Mixcloud. Share it if you like it. Turn it up (all the way up) in the office or car or wherever if you really like it. Set list is below.
Klub Nocturno is the be exception to the “nobody in L.A. goes out in the rain” rule. Saturday night was the second time I played a Nocturno event at Catch One and, just like the first time, a storm hit. Yet, the crowd was still massive. And so much fun. Shout out to Kill for Kickz and Color Void, both of whom played fantastic live sets in the New Wave vs. Darkwave room.
