Tag Archives: Confidence Man

A Christmas Banger from Confidence Man and More of What You Heard at Splash! Sundays

"Santa's Comin' Down the Chimney" Confidence Man single art

Confidence Man dropped a Christmas banger last week, called “Santa’s Comin Down the Chimney.” It has a late-‘90s electro-techno thing going, like Dopplereffekt or Miss Kittin and the Hacker, which is really weird for a Christmas song and something that I, a person who is extremely picky about holiday tunes, can appreciate. If you were at The Mermaid for Splash! Sundays last night, you might have heard it sandwiched in between Del the Funky Homosapien and Crystal Castles. 

Splash is an open format night, so, really, anything goes as far as the music is concerned. Since this was the Sunday before Christmas, and The Mermaid has its “Siren Who Stole Xmas” pop-up going on right now, I brought a few of my favorite holiday jams, like Charo’s disco-fied “(Mamacita) ¿Donde Esta Santa Claus?” and a really specific remix of “El Burrito de Belen” that took one holiday season of heavy Googling to find. 

Still, I could have kicked myself for forgetting to download Los Bitchos’ holiday EP before the gig, but all their songs are good for a party, so “Talkie Talkie, Charlie Charlie,” from the band’s latest album, Talkie Talkie, made it into the set. Male Tears’ new one, “Little Doll,” which landed in Friday night’s set at Catch One, made a reappearance. A handful of 2024 faves— Fontaines D.C., Pet Shop Boys and La Femme included— turned up in Sunday night’s set too. It’s a real mixed bag, but I swear, if you were there and heard the set, which lasted from 8 p.m. until about 10:30 or so, it totally made sense. Keep scrollin’ to see what else was heard at Splash! Sundays on December 22. Next gig is New Year’s Eve at Underground. See you there.  

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On 3 AM (La La La), Confidence Man Offers a ’90s Throwback With a Twist

Confidence Man 3 am La La La album cover

I was on the treadmill the first time I listened to 3 AM (La La La), the latest album from Confidence Man, walking at 3.5 miles an hour, a brisk pace, but not quite enough to keep up with the strobelight pulse of songs like “I Can’t Lose You” and “Control.” Maybe I could have stepped up my own speed to a run, or at least a jog, but I didn’t feel like it, so I kept walking off beat, waiting to see if the vibe would shift somewhere over the course of an album that, four songs in, was  starting to sound a little too much like a late ‘90s Eurodance throwback. 

Confidence Man is the Australian four-piece fronted by Janet Planet and Suga Bones and backed by the veiled and cloaked individuals Reggie Goodchild and Clarence McGuffie. I first heard them during lockdown when someone DMed me Yuksek’s track “Gorgeous,” which features Confidence Man. Two years later, the band released Tilt, their second full-length, which quickly became a personal favorite. “Angry Girl” is the song that has appeared most often in my sets since 2022 because it has a dance punk vibe that works very well at L.A. clubs and it mixes seamlessly with The Rapture’s “House of Jealous Lovers.” But, the thing that made Tilt one of my favorite albums of that year was that it was super cheeky and the music was all over the place, kind of like a cross between Bis and Chicks on Speed back at the turn of the millennium. Given the new album’s title, which definitely alludes to both KLF (“3 AM Eternal”) and maybe also references ATC (“Around the World (La La La La La)”), it seemed like Confidence Man would continue that vibe. Fifteen minutes into 3 AM (La La La), though, I started to think that the spirit driving TILT was lacking on this album. 

If I were tuned into Spotify, I would have just skipped through tracks or moved on to another album, but I actually purchased 3 AM (La La La) and downloaded it without hearing more than a couple preview Reels on Instagram. I had to stick it out for the whole album. 

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Saturday Night in the Tech-No-Logical World

ginger vodka martini and margarita at Boyle Heights Tavern in Boyle Heights
The vodka ginger martini at Boyle Heights Tavern.

“Tech-No-Logical World,” the Patrick Cowley song from his album Mind Warp, has been crawling in and out of my brain for weeks now and the earworm burrowed itself even deeper into my my mind and life after Don French played it at Disco Heat two Thursdays ago. 

I didn’t get why “Tech-No-Logical World” was relentless in its pursuit of my attention until April Fool’s Day, after a bout of scrolling through fake news and fake products. (If only the Morrissey pinball machine were real, I thought to the tune of “Please, Please Please Let Me Get What I Want,” before “Tech-No-Logical World” made its return.) Eventually, I retreated to my desk and tried to work on stories to pitch next week while listening to the song that won’t leave me alone and it hit me. 

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I Love These 2022 Albums From Boy Harsher, The Weeknd, Wet Leg and Lots More

Up and Away, The Runner, A Bit of Previous and Wet Leg are four fantastic 2022 albums
Vinyl copies of Up and Away, The Runner, A Bit of Previous and Wet Leg

There was a lot of great music that came out this past year, so much that making a list of the best 2022 albums is a near-impossible task. Fortunately, last year, a good friend gave me a notebook designed for keeping track of music, so I was able to keep decent notes on most of the albums I heard in 2022.  I followed the format of that notebook in putting together this list of albums I love and think you should hear. It’s not short— there are 23 full-length albums listed below— nor is it confined to any single genre. These albums aren’t ranked either. Each listing is followed by a link where you can buy the album.

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