There’s one new song that I really wanted to play last night, but couldn’t fit it into the set, so you’ll have to wait a few weeks until I’m back at Underground. Other than that, thanks for dancing and here’s the set list. Anything new-ish is linked to a related post or, if there is no related post, a YouTube clip.
More. Pulp swag. And it’s a notebook and pen. Things I actually use a lot. (Pic: Liz O.)
Last night was Club Underground’s Pulp Party, but I played in the not-Pulp room, which is why you heard a mix of ‘80s, ‘00s and new indie, darkwave, etc. upstairs at the Grand Star all night. “Women Respond to Bass” by Sextile is this summer’s banger, but I wanted to get “Rearrange,” from the duo’s latest album, into the set as well because it has a very DFA thing going on it. Also, the lyrics are extremely right now. Teddybears (featuring Iggy Pop) made a comeback with “Punkrocker” thanks to the Superman movie that I haven’t seen. There was also new music from Ships in the Night and Mareux in the set. If you want to see what was played, keep scrolling. Oh, and shout out to the small group of Fontaines D.C. fans who happened to be upstairs for both “Here’s the Thing” and “Starburster.”
View from the DJ booth Smiths Nite at Club Underground 5/16/25
For the record, The Smiths are my favorite band and have been since I was 12. And, yet, I’ve never played an all-Smiths-related set before last night. It was Club Underground’s Smiths Nite and Rose Knows and I DJed in the theme room for the two-room event at the Grand Star. It was hard! Seriously, I *still* have The Smiths catalog committed to memory and this was easily the hardest set I’ve ever played. It’s one of those things where, at 10 p.m., you think there aren’t enough songs to fill a whole night and at 12 p.m., you realize you might get to half of what you wanted to play.
“Don’t forget the songs that made you smile/And the songs that made you cry.” (Rubber Ring)
At least “Rubber Ring” made it into the set. And “What She Said.”
This Friday, May 16, is The Smiths Nite at Club Underground. Larry G., Rose Knows and I will be playing a mix of The Smiths, Morrissey and Johnny Marr, plus the indie, Britpop and post-punk bands they inspired over at Grand Star Jazz Club in Chinatown. Advance tickets are available now, so click this link to get yours. Party starts at 9:30 p.m. and it’s 21+.
Grand Star Jazz Club is located at 943 N. Broadway, inside Chinatown’s Central Plaza, right next to the Bruce Lee statue.
As for the rest of the weekend/early next week, here’s what I recommend.
This Friday is Depeche Mode x New Order night at Club Underground and I’ll be back on the decks with Larry G. and special guest Rose Knows. Both floors of the Grand Star Jazz Club will be open and, in addition to a motherload of Depeche Mode and New Order hits and deep cuts, we’ll be playing indie, Britpop, new wave, darkwave, electro and more. Click on this link to get discount, advance tickets now. Party starts at 9:30 p.m. on Friday, April 18 and it’s 21+. The Grand Star is located at 943 N. Broadway, inside Chinatown’s Central Plaza, right next to the Bruce Lee statue. See you on the dance floor!
Cover of Marianne Faithfull’s self-titled 1965 debut album
A couple people asked about the last song at Underground last night. It was “As Tears Go By,” the 1964 single from Marianne Faithfull, who died on Thursday at the age of 78. Since none of us have the same timeline, I’m not going to assume that anyone reading this saw the same glut of posts about her that I did, or is immediately familiar with the singer at all. So, for background, read this obituary from the BBC.
Marianne Faithfull had a rough ride through pop stardom (here’s a gift link to an NYT story that explains more), but she persevered over and over again. She was legit cool. Mick Jagger and Keith Richards wrote “As Tears Go By,” her first hit, but she also wrote with them and is said to have influenced multiple Rolling Stones songs. Her career revival album, Broken English, was post-punk and post-disco and influential on subsequent generations of musicians, as well as club DJs. Later on, she would collaborate with the likes of Jarvis Cocker, Blur, Nick Cave and others. She’s part of a generation of nonconformist musicians who really set the stage for what we now know as alternative or indie music and it’s no exaggeration to say that there are loads of musicians (especially women, especially women who resist stereotypically feminine branding) whose names you wouldn’t know if it weren’t for her.
Anyhow, here’s last night’s set list, which begins and ends with Marianne Faithfull.
Mulholland Drive! Lost Highway! Eraserhead! There are a lot of David Lynch screenings happening through greater Los Angeles this week and, as of Wednesday night, a handful of them still have tickets available. I did the digging for you and added the screenings that weren’t sold out to the list.
Elsewhere, there are some worthwhile local shows happening in L.A. Dildox plays Damaged Disco at Gold-Diggers tonight. Big Black Delta is at the same venue on Friday, while Pearl and the Oysters are at Alex’s Bar. On Monday, Total Pleasure kicks off their February residency at Zebulon on Monday night. For DJ-driven events, Saturday night is Boombox’s annual tribute to J Dilla, which is always a big night, and Junior Sanchez heads to Clinic Wednesdays on February 5. But, that’s not all, keep reading for more.
It’s David Bowie’s birthday, which means that Friday night, January 10, will be Club Underground’s annual Bowie night. Both floors of the Grand Star will be open so ready for some sound and vision with Larry G. and me in the DJ booths and Miho ready to make you up like Aladdin Sane. Underground’s Bowie Nights do sell out, so click on this link to get your tickets asap.
Dancing to “Smalltown Boy” at Club Underground’s New Year’s Eve party.
By now, you’ve probably read, and argued with, more Best of 2024 lists than you can recall, but I’m here to tell you now, on the first day of 2025, that the real song of the year was a 40-year-old Bronski Beat club hit whose viral success probably wasn’t as organic as reported. (Seriously, people just happened to ask their parents how to dance to “Smalltown Boy” right at the time of the song’s 40th anniversary and not, like, when it appeared in Euphoria? And there just happened to be contemporary club remixes ready to be released in the aftermath of its success on TikTok?)
But, even if the song’s resurgence was a total marketing ploy, it worked. On the hottest nights of the summer, I would hear people scream for “Smalltown Boy” as they threw their hands in the air and danced with sweat dripping from their faces. After the summer faded, the song’s popularity dipped only slightly. On New Year’s Eve, it still hyped up the Underground crowd. But, to be fair, “Smalltown Boy” is one of those songs that never quite dropped off L.A. club playlists— like “Living on Video” or “Send Me an Angel”— the whole viral thing just gave it an extra kick.
Anyhow, thanks to everyone who made it out to Club Underground’s New Year’s Eve party last night. Scroll down to see what I played. Next gig for me is David Bowie night at Club Underground on Friday, January 10. David Bowie night is a biggie, and it has sold out before, so click on this link to get your tickets as soon as possible.
I’ll be back at Underground with Larry G. this week. Join us at Grand Star Jazz Club for a special Friday the 13th edition of Club Underground. It’s darkwave night and my birthday party, so don’t miss out on this one. Advance tickets for Underground on Friday the 13th are available now and, while you’re at it, click here to pick up tickets for Underground’s New Year’s Eve bash.
“What else is happening this week?,” you (didn’t) ask. Well, here’s the lowdown. Saturday night is going to be a busy one this week. Cut Chemist, one of L.A.’s very best DJs, and friends are playing at Lodge Room. Lara Sarkissian, an amazing producer who merges both modern electronic and traditional Armenian music, is playing live at Sooki Studio in Frogtown to celebrate the release of her debut full-length, Remnants. Plus, later in the evening French pop soirée Décadanse is happening downstairs at the Grand Star, while goth night Disintegration goes down upstairs.
Sunday is the annual Depeche Mode Convention at Avalon, which is always a good time filled with DJs, tribute bands, contests and host Richard Blade. This year, Devotional and Blasphemous Rumors are playing live and the DJ lineup includes Alex Transistor, Larry G., Protokall and Dark Chrystal. It’s also an all ages event. On Monday, Museum of Home Video, the fantastic found footage livestream, will be at Vidiots, where IVOR hosts “A Holly Jolly Dollython” filled with music videos, live clips and TV performances. Check out the trailer to see what’s in store. There’s a lot more happening in L.A. this week too, so check out the list below.
