On 3 AM (La La La), Confidence Man Offers a ’90s Throwback With a Twist

Confidence Man 3 am La La La album cover

I was on the treadmill the first time I listened to 3 AM (La La La), the latest album from Confidence Man, walking at 3.5 miles an hour, a brisk pace, but not quite enough to keep up with the strobelight pulse of songs like “I Can’t Lose You” and “Control.” Maybe I could have stepped up my own speed to a run, or at least a jog, but I didn’t feel like it, so I kept walking off beat, waiting to see if the vibe would shift somewhere over the course of an album that, four songs in, was  starting to sound a little too much like a late ‘90s Eurodance throwback. 

Confidence Man is the Australian four-piece fronted by Janet Planet and Suga Bones and backed by the veiled and cloaked individuals Reggie Goodchild and Clarence McGuffie. I first heard them during lockdown when someone DMed me Yuksek’s track “Gorgeous,” which features Confidence Man. Two years later, the band released Tilt, their second full-length, which quickly became a personal favorite. “Angry Girl” is the song that has appeared most often in my sets since 2022 because it has a dance punk vibe that works very well at L.A. clubs and it mixes seamlessly with The Rapture’s “House of Jealous Lovers.” But, the thing that made Tilt one of my favorite albums of that year was that it was super cheeky and the music was all over the place, kind of like a cross between Bis and Chicks on Speed back at the turn of the millennium. Given the new album’s title, which definitely alludes to both KLF (“3 AM Eternal”) and maybe also references ATC (“Around the World (La La La La La)”), it seemed like Confidence Man would continue that vibe. Fifteen minutes into 3 AM (La La La), though, I started to think that the spirit driving TILT was lacking on this album. 

If I were tuned into Spotify, I would have just skipped through tracks or moved on to another album, but I actually purchased 3 AM (La La La) and downloaded it without hearing more than a couple preview Reels on Instagram. I had to stick it out for the whole album. 

Continue reading On 3 AM (La La La), Confidence Man Offers a ’90s Throwback With a Twist

Italo Horror Disco Brought Giallo and Jams to the Grayson

Thomas Mellan live at The Grayson in Los Angeles on October 19, 2024 for Italo Horror Disco (Photo: Liz Ohanesian)
Thomas Mellan live at The Grayson DTLA for Italo Horror Disco on Saturday, October 19 (Pic: Liz O.)

The Grayson is slammed when I arrive Saturday night. It’s just a little after 10:30 p.m., but there are crowds of people hovering over the bar, more huddled in the  booths and gathered on the floor. Almost immediately, I spot someone on the dance floor, a friend who I haven’t seen in a while. We say hi and comment on the music and get back into the groove. It’s Italo Horror Night, L.A. Industrial/Dolce Vita’s Halloween party, and the vibe inside is giallo and jams. The Beyond, the 1981 Lucio Fulci film, is playing on a TV above the bar. David Christian just dropped “One Night in Bangkok,” but it’s not the Murray Head version that I know from countless spins on L.A. radio stations. I make a mental note to ask him about it. 

Continue reading Italo Horror Disco Brought Giallo and Jams to the Grayson

Here’s What I Played at Klub Nocturno Presents Darkwave Night @ Alex’s Bar on October 17, 2024

Beetlejuice full-size Halloween decoration at Alex's Bar in Long Beach, California (Photo: Liz Ohanesian October 17, 2024)
Beetlejuice hanging at Alex’s Bar, October 17, 2024 (Pic: Liz Ohanesian)

I think I have a backlog of playlists that haven’t been posted, but this one is from last night at Alex’s Bar in Long Beach for Klub Nocturno presents Darkwave Night. Thanks to everyone who was there. The energy was fantastic. I’d write more, but I’m still half-asleep, so peep the playlist below and I’ll see you on the dance floor soon. Click on this link to see what gigs I have on the calendar for the rest of the month and follow along on Instagram

Continue reading Here’s What I Played at Klub Nocturno Presents Darkwave Night @ Alex’s Bar on October 17, 2024

Happening in L.A.: October 17 through October 13

Klub Nocturno presents Darkwave Night Alex's Bar Long Beach October 17, 2024

Attention, Long Beach pals! I’m back at Alex’s Bar on Thursday, October 17, when Klub Nocturno presents Darkwave Night. There’s no cover, so come down and dance to your faves from bands like The Cure, Siouxsie and the Banshees, Boy Harsher, French Police, Ultra Sunn, Lebanon Hanover and loads more. This is a 21+ event and the party starts at 9 p.m. Alex’s Bar is located at 2913 E. Anaheim St., Long Beach 90804. See you Thursday night. 

In other news tickets are running low for Club Underground’s Halloween party on Friday, October 25, so click here to get yours now. Larry G., Malvada, Jesse B. and I are going to be on the decks and it will be a good time. The night before that, Thursday, October 24, I’ll be playing Olya Sonica’s Record Release party at Hotel Ziggy. Olya Sonica, The Dirty Shirts and Veronica Bianqui play live. I’ll be spinning Brit Pop and rock classics. Tickets are available now, so click here to get yours on Dice. 

As for the rest of this week and early next week, check out the list below for some very reasonably priced events. It’s pretty heavy on movie screenings on account of October being a very good month for those. You can also head over to my Discover Los Angeles column “Get Into the LA Groove,” for more events happening this weekend and early next week

Continue reading Happening in L.A.: October 17 through October 13

Happening in L.A.: Thursday, October 10 – Wednesday, October 16

Club Underground Gorillaz x Daft Punk Grand Star Jazz Club Friday, October 11, 2024 DJ Larry G. DJ Liz O.

This Friday, October 11, is Gorillaz x Daft Punk night at Underground. Both floors of Grand Star Jazz Club will be open with Larry G. and I DJing all night. The last time we did a Gorillaz x Daft Punk night was back in the summer of 2023 and it was amazing, so don’t miss out on this one. Tickets are available now on Eventbrite and Dice. 

If you want to hear what Friday might sound like, click this link to listen to one hour of my set from the 2023 Gorillaz x Daft Punk night at Club Underground. 

Grand Star Jazz Club is located at 943 N. Broadway in Chinatown’s Central Plaza, right next to the Bruce Lee statue. Underground is Friday nights from 9:30 p.m. until 2 a.m. and it’s 21+.  If you’re going to see French Police on Friday, come by after the show, the Grand Star is a pretty short drive from Belasco. 

(In other Underground-related news, tickets are running low for the October 25 Halloween party, so get yours ASAP. I’ll be DJing alongside Larry G., Malvada and Jesse B.) 

Added a handful of other events happening this weekend and early next week. I’m particularly excited about EXP TV’s Kung Fu Halloween going on at Philosophical Research Society on Saturday night. 

Continue reading Happening in L.A.: Thursday, October 10 – Wednesday, October 16

Los Bitchos at Teragram Ballroom, October 3, 2024

Los Bitchos live at Teragram Ballroom in Los Angeles on Thursday, October 3, 2024 (Photo: Liz Ohanesian)
Los Bitchos live at Teragram Ballroom in Los Angeles on Thursday, October 3, 2024 (Pic: Liz O.)

At 10 p.m. on Thursday night, Belinda Carlisle’s 1980s pop hit “Heaven Is a Place on Earth” played inside Teragram Ballroom, the volume increasing as the lights on the stage dimmed, then glowed purple. The members of Los Bitchos— four full-time members and one touring guitarist— take the stage and dance as they adjust their instruments, waiting for the song to nearly fade away before beginning a set that sounds nothing like Belinda Carlisle. 

On Talkie Talkie, the new album from Los Bitchos, you can hear a bit of an ‘80s pop sheen in the production. It’s a subtle nod, but it’s there in the “La Isla Bonita” vibe of “Talkie Talkie, Charlie Charlie” and the dreamy Balearic disco of “Don’t Change.” On stage, though, Los Bitchos’ sound is raw and urgent, like they’re leading a party that might teeter— to appropriate a B-52s song title— out of bounds at any second. 

Continue reading Los Bitchos at Teragram Ballroom, October 3, 2024

Happening in L.A.: Thursday, October 3 – Wednesday, October 9

Videotheque Highland Park screening calendar flyer for October, 2024

Friday, October 4, Videotheque kicks off a month of horror screenings with a Dark Shadows binge curated by yours truly. I picked out five episodes filled with tarot, witchcraft and maybe— just, maybe— a creature of the night. The episodes will make sense whether you’re new to Dark Shadows or if you, like me, have seen all 1200+ episodes. Doors open at 8:30 p.m. for the screening, which starts at 9 p.m., and tickets are $12. You can RSVP on Partiful.  4102 N. Figueroa St., Highland Park 90031.

Read “Lost in Time Watching Dark Shadows” if you want to catch up on the series. 

Continue reading Happening in L.A.: Thursday, October 3 – Wednesday, October 9

Happening in L.A.: Thursday, September 26 – Wednesday, October 2

Oasis Nite at Club Underground with DJ Larry G and DJ Liz O. at Grand Star Jazz Club on Friday, September 27, 2024

Friday, September 27, is Oasis Nite at Club Underground. Both floors of Grand Star Jazz Club will be open, with Larry G. and me (Liz O.) DJing from 9:30 p.m. until 2 a.m. Tickets are available now, so click on this link to pick up yours. The Grand Star is located at 943 N. Broadway, right next to the Bruce Lee statue in Chinatown’s Central Plaza, and it’s a 21+ venue. 

Then on Sunday, September 29, I’ll be playing Splash at The Mermaid with DJ Vanish. This is an open format night— so, really, anything goes musically— that is from 8 p.m. until 1 a.m. Vanish is playing the first half of the night and I’m doing the second. There’s no cover and it’s 21+. The Mermaid is at 428 E. 2nd St. in Little Toyo. 

As for the rest of the weekend and early next week, here are just a few things I’ve noticed happening in L.A. that are under $30 and not sold out. For more options, check out my Get Into the L.A. Groove column for Discover Los Angeles. Click on this link for shows happening this weekend. For events happening the week of September 30, click here

Continue reading Happening in L.A.: Thursday, September 26 – Wednesday, October 2

L.A. Industrial with Paul Barker, Jane Jensen and Vague Lanes @ The Slipper Clutch

Paul Barker live at Slipper Clutch, September 19, 2024
Paul Barker of Lead Into Gold at Slipper Clutch on Thursday, September 19, 2024

Paul Barker is playing upstairs at The Slipper Clutch, in a tiny, attic-like space covered with murals and old show flyers. It’s loud, and I forgot my earplugs, so I hang out towards the back of the room, which is what I did when I saw Ministry many years ago— back when Barker was in the band— at a show that ranks at number 2 on the list of loudest concerts I’ve ever attended. This show at Slipper Clutch, however, isn’t as much of a raucous. The raw and rhythmic music is comfortably booming where I stand. 

As for the vibe, it’s one that I’ve always known, the fringe of L.A. nightlife. It’s also one that I often fear is edging closer to extinction because there are fewer independent spaces in L.A. and fewer events that are more about the music than whatever shit went viral last week. And, in the most pessimistic moments, I think that there are simply fewer people who are interested in leaving the house and taking the chance on something that an algorithm didn’t send their way. 

Continue reading L.A. Industrial with Paul Barker, Jane Jensen and Vague Lanes @ The Slipper Clutch

Future Islands at The Shrine, September 18, 2024

Future Islands live at The Shrine in Los Angeles on Wednesday, September 18, 2024 (photo: Liz Ohanesian)
Future Islands live at The Shrine on September 18, 2024 (pic: Liz O.)

I saw the first Future Islands fan rush the stage at the end of “Corner of My Eye,” which closed out the band’s main set at The Shrine on Wednesday night. The way I remember it, which may or may not be 100% accurate, Samuel T. Herring was singing “thank you, thank you.” Someone in a plaid shirt ran up from audience’s right hand side and embraced the singer. Security appeared. Herring said something along the lines of, it’s okay. Later on, when Future Islands and openers Oh, Rose were in the midst of a “Vireo’s Eye” dance party during the encore, I saw two more people hop on to the stage, where they were promptly chased off by security. It was a déjà vu-inducing scene for me, and maybe for anyone else in the crowd who has been to a Morrissey show. 

It was a fitting end to the night because, nearly two hours earlier, when Future Islands kicked off the show with “King of Sweden,” I thought, this vibe is so Morrissey. Herring has a different style of performance than Moz— there’s a good amount of HIIT-level cardio happening during a Future Islands show— but he also taps into a similar level of intensity that is infectious. The teenage girls in front of me bopped up and down excitedly. The totally ordinary looking dudes a few rows in front morphed into dancing machines. I wondered if anyone would rush the stage. It took a while, but they did. 

Continue reading Future Islands at The Shrine, September 18, 2024