It’s always a good idea to sign up for band mailing lists. If I hadn’t added my info to Zoot Woman’s mailing list, I wouldn’t have known that the band dropped a new album, Maxidrama, this month.
Continue reading Zoot Woman, Alex Anwandter, Model Child and More June Music
When a song isn’t instantly recognizable, you can see it on the faces in the crowd. They’ll shoot befuddled glances around the room, scope the scene and see how many people look like they know it. They half-dance, as if they’re still deciding whether or not to stay on the floor.
In the DJ booth, this is a tense moment because there are a few ways that the scenario can play out. They might leave the dance floor, taking a handful of people with them. Or, someone who is equally bold and clueless might come up to the booth with the “play something I know” request. In the best possible instances, they stick with the groove and keep moving.
I see people cast the “I don’t know this song, should I dance?” glance whenever I play “Low Times” by School of Seven Bells. The song is 12 years old, and I’ve been playing it for just as long, but it still hits as if it were new. Even though it’s not a song that people automatically know, they keep dancing. Every time, the crowd grows and energy builds alongside the heart-pounding rhythm and breathless vocals.
Continue reading This 12-Year-Old School of Seven Bells Song Still Hits Like It’s New
On Saturday, it felt like summer had arrived. That is unfortunate if you, like me, have an aversion to sunlight and sweat. The upside was that I was DJing in the new wave/darkwave room at Nocturno on Saturday night, so I could avoid the sun. Since online tickets had already sold out, though, I had to prepare for a hot night. That’s when fishnets really come in handy. In fact, I think fishnets and Sambas might end up being my 2024 club uniform. After a four-and-a-half-hour DJ set, I felt pretty good. (Three cans of water probably helped too.)
It was a really fun night. There were stilt walkers who came out to the stage in the new wave/darkwave room twice, dancing to French Police and Sisters of Mercy during one set and Depeche Mode and Visage in the other. The crowd let out disco calls during “Blue Monday.” It was a vibe.
Boy Harsher’s remix of Chelsea Wolfe’s song “House of Self-Undoing,” which was released earlier in the week, made its second appearance in my sets this weekend. Since it’s brand new, I’ve been testing it out early in the night, but I’m really into it, so you’ll probably be hearing this later in the nights going forward. The remix is available on Bandcamp, by the way, so get it into your own collection if you’re so inclined. (That’s not an ad or a sponsored link, btw, but Bandcamp is my personal first choice for digital music.)
Continue reading Here’s What I Played at Klub Nocturno on Saturday, June 15 2024
I forgot to take pics last night at Underground. It happens. But, it was another fun night on Friday, the memories of which become hazy after playing music for four hours. I do, however, recall that I really like the way Actors latest single, “In Real Life,” sounds with Roxy Music’s song “More Than This.” It makes sense in my head because Actors always sounded less like a “darkwave” or “postpunk” band to me and more like people who have listened to a lot of Roxy Music, Bowie, Japan and Duran Duran. But, that doesn’t mean that two songs will go well together and I never know for sure until I try it.
(Just in case you’re wondering, all my sets are improvised, but, when you’ve been DJing since you were 18 and you’re now a far cry from that, you have a good feel for which songs go together and which ones don’t.)
Also new to my set is “Hechizos” by Glass Spells, which you might have heard me play on Dublab last week. If not, you can click on this link to the archive of the show. Glass Spells are from San Diego and are currently on tour, but, unfortunately, don’t have an L.A. date. However, they will be at the Observatory in Santa Ana on July 17. Check Glass Spells’ website for other upcoming tour dates. The other new addition to my set is Boy Harsher’s remix of Chelsea Wolfe’s song “House of Self-Undoing,” which I love. Anyhow, here’s the set list.
Continue reading Here’s What I Played at Club Underground on Friday, June 14, 2024
In April of 2021, I saw L’Impératrice live at the Fonda Theatre in Los Angeles. Three years later, the thing that stands out about that show is how hard everyone danced.. There was one point when singer Flore Benguigui got low and the audience did the same.
I was in the balcony that night and, from my vantage point, I saw a broken heart totem and a crown totem bouncing above bobbing heads. When L’impératrice turned songs from Tako Tsubo, like “Submarine” and “Peur des filles” into full-blown disco jams — the latter sounding like “Love to Love You, Baby”— it felt like the crowd was moving as a single body. Before that night, I had spent more than a month listening to Tako Tsubo on repeat, partially because I interviewed L’Impératrice for Audiofemme, but also because the album quickly became a favorite of mine for that year. But, L’Impératrice live is a whole other level of wild energy that I hadn’t heard in their recordings, at least until now.
Continue reading Pulsar, the New Album from L’Impératrice, Is Out Now
Thank you to everyone who stopped by Disco Matinee on Sunday afternoon at the Grand Star. More importantly, thank you for hitting the dance floor. It was so good to see you out there. Here’s what we heard.
Continue reading Here’s What I Played at Disco Matinee on June 2, 2024
I’m not one for nostalgia, but ‘00s Nite at Club Underground on May 31 did make me feel a bit wistful for the final decade of life untethered to phones and social media and streaming platforms. I wouldn’t say the ‘00s were a particularly great decade (like I’ve written before, it wasn’t), but it was nice to not be connected to everyone, everywhere, all the time.
In keeping with this week’s theme at Underground, I busted out one of my favorite mashups, which I had downloaded and burned to a CD for gigs back in the ‘00s, and ended the night with the song that was my closer in the earliest years of that decade. Keep reading for the set list.
Continue reading Here’s What I Played at Underground’s 2000s Nite on May 31, 2024
On Memorial Day, right after turning in my last writing assignment of the month, I headed over to Bandcamp and played the new DIIV album. It was the first time I listened to Frogs in Boiling Water.Typically, I don’t like writing about an album unless I’ve given it a few spins, but, in that moment, DIIV resonated with me and I started typing.
Frogs in Boiling Water is an album that sounds amazing when you’re eyes are about to fall shut at 11:30 a.m. because you had a DJ gig the previous night— your third over the holiday weekend— and you had to wake up early enough to finish some work. That is a very specific situation, but it’s one that I can hear reflected in the tough, hazy sound of the album. This album is not dreamy, as people often refer to shoegaze bands. It’s the sound of pushing forward even when your shoulders slump and you have to close your eyes ever couple minutes.
Continue reading Neutrals, Blood Club and More May 2024 Music
On Sunday, May 26, I popped into Footsie’s to play a one hour, all-vinyl set alongside DJs Scarlett Casanova, Ruby Woo 13 and Jenni Gee. It was a good time and I had the chance to play the Dexys Midnight Runners record I found at the Music Center’s record swap a few weeks ago. Here’s the set list.
Continue reading Here’s What I Played at Footsie’s on May 26, 2024
On Saturday, June 15, Klub Nocturno heads back to Catch One in Los Angeles for five rooms of dancing. You can hop between Rock en español vs. cumbia, new wave vs. darkwave (where I’ll be DJing), Deftones night, Sad Bunny Night and disco. Tickets are available now. Click this link to get yours.
On Friday, May 24, I headed down to San Diego to play in the new wave vs. darkwave room at Klub Nocturno’s show at House of Blues. This was the first time I’ve played a club in San Diego and it was definitely a good night. The energy was fantastic, with people staying on the dance floor until the house lights went up. Plus, there were some great requests and a few cool band t-shirts that I read as requests. Keep reading for the set list.
Continue reading Klub Nocturno Is Back at Catch One on 6/15/24 + My Set List from Nocturno’s San Diego Show