Jus’ B, Liz O. and Mr. Michel at Grand Star Jazz Club for Disco Matinee, October 8, 2023 (Pic: Sara)
Since this past summer, my pal Jus’ B and I have been throwing a monthly day party called Disco Matinee at Grand Star Jazz Club in Chinatown. We’ve been lucky to be able to bring in some amazing locals to guest DJ, like Mr. Michel, who played with us on October. We’ve also been lucky to have a good crew of regulars who have been sticking around on the dance floor until the house lights brighten and the dinner cravings get stronger.
On Thursday, I bought a pair of Sambas and then I broke them in that night on the dance floor at 96 Tears and, let me tell you, that was the best decision I’ve made in months. It meant that I could DJ from 9:30 until 1:30 upstairs at the Grand Star for Club Underground without my back killing me well before midnight. And I could actually dance while I was DJing too, which probably looks stupid, but it’s how I keep time, so whatever.
Every Tuesday night at The Mermaid this October is Italo Horror Disco, the Halloween-friendly edition of L.A. Industrial’s Italo disco party Dolce Vita. DJ Manuelito and I had the chance to kick off the spooky festivities last night to a killer crowd at the Little Tokyo bar.
I wasn’t planning to DJ this week, but a last minute opportunity came up to play at The Mermaid for Dolce Vita on Tuesday night. I really enjoy playing at The Mermaid, especially for Dolce Vita, so I dropped whatever Italo disco and Italo-adjacent folders I had on my hard drive into Rekordbox and played from 9 p.m. until around 11:15 or so. Here’s what you heard. I used the file names for artist and song title, just so you can find the tracks if you want. In the case of some of the edits, it’s definitely not the actual name of the artist or title, but you can probably figure that out.
Taleen Kali’s latest album, Flower of Life, on vinyl. (pic: Liz O.)
While eating a 1 a.m. Del Taco dinner, I thought about how amazing an opportunity it is to be able to DJ in the L.A. music scenes in which I’ve played for so long. Getting to connect with fantastic bands, DJs and other people through this world is a constant source of inspiration. So, I’m incredibly grateful that Taleen Kali asked me to DJ on Wednesday night for the shoegaze installment of the band’s September residency at Harvard and Stone.
Taleen Kali, Izzy Outerspace and Lux Lawless all played fantastic live sets. Given the theme of the night, I put together sets that included some classic and contemporary shoegaze, psychedelic and indie rock. Check out the set list here.
I forgot to take pics while I was DJing, so here’s a mermaid skeleton at The Mermaid that I saw right before the night started. (Pic: Liz O.)
For years, I used to post most of my set lists. Then I stopped because I figured if people were that curious about what I’m playing, they would actually go to the party and Shazam (or, like, come up and ask me about) whatever song they don’t know. Now I’m rethinking that because Shazam doesn’t catch everything. Plus, I like having an archive and want people to actually know what songs are played. So, this is the set from Dolce Vita at The Mermaid on September 12, 2023.
I’m constantly filing and cataloging my record collection. Every time, I think that I will devise the perfect system and reveal a latent talent for organization, like in Party Girl. But, once I get about halfway through the task, I realize that the system doesn’t work as well as it should and start all over again. The only upside to this Sysiphean task— which, I suppose, is also very Party Girl— is that I inevitably reconnect with a handful of old records.
My latest Beatique mix is now live. To listen to the hour-long episode, either tune in on Mixcloud or via the embed here. Here’s the full track list for you.
Falco: Verdammt, wir leben noch! is a 2008 Austrian biopic of the late pop singer Falco, released in the U.S. under the title, Falco: The Rise and Fall of an ‘80s Pop Icon. Now, you might be scratching your head and thinking, “There’s a Falco biopic? Why?” In fact, that’s exactly what went through my dumb American brain when I recently learned of the existence of this film.
