Category: The Playlist

  • On 3 AM (La La La), Confidence Man Offers a ’90s Throwback With a Twist

    Confidence Man 3 am La La La album cover

    I was on the treadmill the first time I listened to 3 AM (La La La), the latest album from Confidence Man, walking at 3.5 miles an hour, a brisk pace, but not quite enough to keep up with the strobelight pulse of songs like “I Can’t Lose You” and “Control.” Maybe I could have stepped up my own speed to a run, or at least a jog, but I didn’t feel like it, so I kept walking off beat, waiting to see if the vibe would shift somewhere over the course of an album that, four songs in, was  starting to sound a little too much like a late ‘90s Eurodance throwback. 

    Confidence Man is the Australian four-piece fronted by Janet Planet and Suga Bones and backed by the veiled and cloaked individuals Reggie Goodchild and Clarence McGuffie. I first heard them during lockdown when someone DMed me Yuksek’s track “Gorgeous,” which features Confidence Man. Two years later, the band released Tilt, their second full-length, which quickly became a personal favorite. “Angry Girl” is the song that has appeared most often in my sets since 2022 because it has a dance punk vibe that works very well at L.A. clubs and it mixes seamlessly with The Rapture’s “House of Jealous Lovers.” But, the thing that made Tilt one of my favorite albums of that year was that it was super cheeky and the music was all over the place, kind of like a cross between Bis and Chicks on Speed back at the turn of the millennium. Given the new album’s title, which definitely alludes to both KLF (“3 AM Eternal”) and maybe also references ATC (“Around the World (La La La La La)”), it seemed like Confidence Man would continue that vibe. Fifteen minutes into 3 AM (La La La), though, I started to think that the spirit driving TILT was lacking on this album. 

    If I were tuned into Spotify, I would have just skipped through tracks or moved on to another album, but I actually purchased 3 AM (La La La) and downloaded it without hearing more than a couple preview Reels on Instagram. I had to stick it out for the whole album. 

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  • Here’s What I Played at Klub Nocturno Presents Darkwave Night @ Alex’s Bar on October 17, 2024

    Beetlejuice full-size Halloween decoration at Alex's Bar in Long Beach, California (Photo: Liz Ohanesian October 17, 2024)
    Beetlejuice hanging at Alex’s Bar, October 17, 2024 (Pic: Liz Ohanesian)

    I think I have a backlog of playlists that haven’t been posted, but this one is from last night at Alex’s Bar in Long Beach for Klub Nocturno presents Darkwave Night. Thanks to everyone who was there. The energy was fantastic. I’d write more, but I’m still half-asleep, so peep the playlist below and I’ll see you on the dance floor soon. Click on this link to see what gigs I have on the calendar for the rest of the month and follow along on Instagram

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  • Here’s What I Played at Club Underground on Friday, September 13

    Club Underground Halloween at Grand Star Jazz Club, Friday, October 25, 2024

    Mark your calendars for Friday, October 25 because Club Underground’s Halloween party will be taking over both floors of Grand Star Jazz Club in Chinatown. Halloween at Underground is always a blast, so you won’t want to miss out on this. 

    Last Friday, I played upstairs at Underground from open to close. Check out the set list below. 

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  • Here’s What I Played for Klub Nocturno at Alex’s Bar on September 12, 2024

    Dracula art inside the bathroom at Alex's Bar in Long Beach
    Dracula art in the ladies room at Alex’s Bar.

    On Thursday, September 12, I headed down to Long Beach to play with Klub Nocturno at Alex’s Bar. It was my first time playing at the venue and it was a total vibe– super cool crowd with great energy. My set was roughly from 8:30 p.m. until around midnight and the set list is below the jump.

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  • Post-Punk, Synthpop, Darkwave Roundup: Molchat Doma, Ploho, Leathers and More

    Molchat Doma Belaya Polosa album cover
    Molchat Doma Belaya Polosa album cover

    To be honest, I wasn’t a huge Molchat Doma fan. I could hang with a few songs, enough to oblige the frequent requests at clubs, but their albums just didn’t really resonate with me. Then, last Friday, I gave Belaya Polosa a listen and immediately bought it on Bandcamp. Molchat Doma’s fourth album is their best so far. 

    But, I’ve been hesitant to write about the album because even AP has done that, on account of Molchat Doma’s now four-year-old TikTok hit, and there’s a digital stack of music that I’ve been meaning to write about, but haven’t. So, I’ll just try to squeeze as much as possible about all of it here. 

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  • Pulp x Underground Nite is September 13 (Plus, My Set List from Last Night)

    Pulp x Underground Nite Grand Star Jazz Club Chinatown Los Angeles September 13, 2024

    Friday, September 13, is Pulp x Underground Nite at Grand Star Jazz Club in Chinatown. Both floors of the venue will be open with Larry G., Jesse B and me (Liz O.) on the controllers. Dance to all your favorite Pulp jams before they play the Palladium and Hollywood Forever, plus, the Underground mix of post-punk, new wave, indie, darkwave, synthpop and more. Tickets are available now via Dice or Eventbrite. The Grand Star is located at 943 N. Broadway in Chinatown’s Central Plaza. Party starts at 9:30 p.m. and it’s 21+.

    I played a last minute set at Underground last night from open to close. It was a fun night in spite of the hideous heat wave that struck L.A. this week. Thanks to everyone who came out and hit the dance floor. Set list is below. 

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  • Here’s What I Played in the Indie vs. 80s Room at Klub Nocturno on August 31, 2024

    View of people on the dance floor from DJ booth at Catch One in Los Angeles for Klub Nocturno on August 31, 2024. (Photo: Liz Ohanesian)
    This was my new from DJ booth in the Jewel’s Room at Catch One for Nocturno on Saturday, August 31. (Pic: Liz O.)

    It’s Sunday morning, I’ve hardly slept. I have Sacred Skin’s song “Call It Off” running through my head and Depresion Post Mortem’s cover of “Yo Voy” fighting to overtake it. Still, I’m going to try to explain last night’s gig at Klub Nocturno in a way that people who normally don’t know what I’m rambling about will understand. It might not work, but we’ll try. (Scroll down if you just want to see the set list.)

    Last night, Klub Nocturno took over Catch One, which is this massive, multi-room disco that has an amazing history going back to actual disco L.A. There were five dance floors of varying sizes going all night: Rock en Español vs. Cumbia, Indie vs. 80s, Deftones Night, Corrido Night and Sad Bunny Night. I played Indie vs. 80s in the Jewel’s Room, where the dance floor is on the ground level of the building and a staircase in the corner leads up to a mezzanine, where the DJ booth is located, before heading towards the second level of the club. 

    I have a view from the booth that overlooks the dance floor and stage. Usually, it’s not until right around 10 p.m. that I see the room begin to fill with people. Last night, I started playing at 9:30 on the dot and began to see signs of life on the dance floor three or four songs into the set. By the time I mixed “Rippin Kittin” into “Something to Remember Me By,” the dance floor was alive and growing.

    The first time I heard people scream for a song that night was during “Love My Way,” the Psychedelic Furs classic, which was maybe at around 10:30 p.m.  The energy was incredible. I’d look down and see this big mass of people under the purple and red glow of the lights. I could hear them singing along to The Strokes song “Reptilia” and Le Tigre’s big ’00s club hit “Deceptacon.”

    When the intro of “Smalltown Boy,” the Bronski Beat’s jam, faded in at midnight, the screams were wild. TBH, that’s really the song of summer 2024, even though it’s literally 40 years old. I hear it everywhere from clubs to the A Line.

    The room hit its peak at midnight. People chanted through “Living on Video” and sang along with “Two of Hearts.” There were dancers in the mezzanine lounge area too, so during the stretch from “Smalltown Boy” through “Goodbye Horses,” I felt like I was DJing in the middle of the dance floor. 

    It was one of those nights that passed all too quickly. I looked at my laptop, noticed it was after 1 a.m. and realized that I had to start dropping the big sing-a-long numbers— “Love Will Tear Us Apart,” “There Is a Light,” “Just Like Heaven”— immediately and try to squeeze in as many requests as I could. (I had more than four hours of requests, which came in before the party started, loaded into Rekordbox.) Anyhow, it was an awesome night and you can see my set list below. 

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  • Here’s What I Played for Depeche Mode Nite at Underground on Friday, August 30, 2024

    Crowd dancing to Depeche Mode "Route 66" during DJ Liz O. set at Club Underground at Grand Star Jazz Club in Los Angeles
    Here’s the crowd dancing to Depeche Mode’s cover of “Route 66” (The Nile Rodgers Mix) at Club Underground’s Depeche Mode Nite on Friday, August 30

    Last night was the first time I DJed the Depeche Mode room at Underground’s Depeche Mode Nite. By the end of my first set, I realized that playing nothing but Depeche Mode-related songs (Yaz counts, it’s Vince Clarke) is really easy to do when you’ve been a big ol’ fan since you were 10 years old. 

    I got in my favorite Alan Wilder cut, “Fools (Bigger),” which is a B-side for “Love in Itself.” I have a whole story about that, which involves tracking down a sample I heard, accidentally finding it in a used record bin, playing it at a club and making a friend with whom we became the Alan Wilder Appreciation Association, but we’ll save that for another day. 

    Mixed in some synth pop that wasn’t made by members of Depeche Mode in the second set, plus a mini Vince Clarke tribute right after “Send Me an Angel,” and then went all DM again for my third set, which closed out the night upstairs at the Grand Star. Anyhow, the set list is below. Thanks for sticking through the sets. I hope you got to hear a Depeche Mode song that you hadn’t heard in a long time, or maybe one that’s new to you. 

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  • Get Triple Fire, the new album from Geneva Jacuzzi, Now

    Album cover for Triple Fire by Geneva Jacuzzi released on August 23, 2024 by Dais Records
    Album cover for Geneva Jacuzzi’s new album, Triple Fire

    I’ve been hooked on Triple Fire, the latest album from Geneva Jacuzzi, since a promo turned up in my email a while back. As the August 23 release date approached, I listened to the album more often, trying to dig deeper into the stories within songs like “Laps of Luxury,” “Art Is Dangerous” and “Scene Ballerina” that are so vivid, yet so open to interpretation. The music, the lyrics, it all felt like it was already a part of Los Angeles.

    Jacuzzi has been making music in L.A. since the ‘00s and first came to underground attention with the band Bubonic Plague, who were amazing live, btw. Triple Fire is her third solo album since 2010 and her first full-length for Dais Records.

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  • Here’s What I Played at Disco Matinee on August 18, 2024

    Disco Matinee Los Angeles day party disco funk dance punk Italo disco HiNRG at Grand Star Jazz Club on Sunday, August 18, 2024 with DJ Liz O. and DJ Jus' B

    Just wanted to update quickly with my set lists from Disco Matinee on Sunday, August 18. Thanks to those of you who made it out to Grand Star Jazz Club for the little day party that Jus’ B and I throw, now on the third Sunday of the month. 

    My next two gigs are coming up at the end of the month. I’ll be at Underground on Friday, August 30, more details are forthcoming. On Saturday, August 31, I’ll be playing in the Indie vs. ‘80s room at Nocturno and tickets for those are available now

    Set 1: 

    Patrice Rushen – Forget Me Nots

    Donna Summer – Bad Girls

    Prince – Sexy Dancer

    Paul Parker – Right on Target

    Alexander Robotnik – Problemes D’Amour

    C-Bank – One More Shot

    The Flirts – Passion

    Human League – Hard Times

    Laid Back – White Horse

    Evelyn “Champagne” King – Shame

    Bee Gees – You Should Be Dancing

    Patrick Cowley feat. Sylvester – Menergy

    La Bionda – I Wanna Be Your Lover

    Yaz – Situation 

    Madonna – Holiday

    Talking Heads- Girlfriend Is Better

    The Clash – The Magnificent Seven

    Set 2: 

    Bronski Beat- Smalltown Boy

    New Order – Blue Monday

    Kano- It’s a War

    Musique – Keep on Jumpin’

    Ken Laszlo – Hey Hey Guy

    Righeira – Vamos a la Playa

    Silent Circle – Touch in the Night

    Vicious Pink – Cccan’t You See

    Michael Zager Band – Let’s All Chaint

    Thelma Houston – Don’t Leave Me This Way

    Candi Staton – Me and My Music

    Bumblebee Unlimited – Lady Bug

    Tavares – Heaven Music Be Missing an Angel

    Donna Summer – Last Dance

    Liz O. is an L.A.-based writer and DJ. Read her recently published work and check out her upcoming gigs.

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