I used to think that the 21st century didn’t really begin until 9/11, that this was the one event that set the course for the years to follow. Now, I’m willing to admit that I was wrong. Maybe, the 21st century actually began at the end of 1999 with the WTO protests. In late November of the final year of the ‘90s, some 40,000 people hit the streets of Seattle to shut down the World Trade Organization’s conference in the city. They were people from varying backgrounds, including environmental activists, union members and farmers. Those of us who remember the protests only from watching the news may hazily recall reports of “blah blah blah anarchists, blah blah blah Starbucks.” However, a new documentary, WTO/99, drops viewers in the middle of the scene for four days of protests and, in the process, tells a very different story.
(more…)Category: Movies
-
Depeche Mode: M Is More Than a Concert Film
Somewhere in the middle of Depeche Mode: M there’s a quote about technology and how, despite the access to advanced tech today, it’s the old school gear that feels more authentic. I’m paraphrasing, obviously, but that’s the gist of a statement that stuck with me through the rest of the film, partially because I agree with it, but mostly because I think that there’s more to it. Not only does vintage tech feel more authentic, but so does vintage content, y’know, the stuff we used to call art. I say that because the immediacy watching clip after clip of Depeche Mode’s concerts in your Instagram stories while the Momento Mori tour was happening does not compare to seeing M in the theater. Depeche Mode: M is a stellar concert film, one that I will confidently say is essential viewing for fans of the band.
(more…) -
Director Christopher Bickel on Pater Noster and the Mission of Light
Pater Noster and the Mission of Light (2024) directed by Christopher Bickel Earlier this year, while scrolling through Night Flight (the only streamer worth a paid subscription), I stumbled across a movie called Pater Noster and the Mission of Light. A horror movie about the hunt for a possibly cursed record made by a cult in the ‘70s, it was full of vinyl nerd in-jokes, references to the Source Family, the Merry Pranksters and Whipped Cream and Other Delights. I was smitten with it.
Directed by Christopher Bickel, Pater Noster is a wild ride through dusty record bins and into the strange, terrifying world of a fictional psychedelic cult. The film, made with a budget of just $21,000, is also an exercise in resourcefulness. “We do these movies on such a low budget, so when I go to write it, I have to write to things that I have access to,” says Bickel on a recent video call, “things that I think would elevate the production value, to make it look like we spent money on this thing or that thing.”
(more…) -
Five Animated Movies to See in Theaters on May 4
Son of the White Mare (1981) screens at Philosophical Research Society on Sunday, May 4, 2025 Since my Premium magazine feature on L.A.-area repertory cinema is out now, I wanted to highlight a few movie theaters for this week’s recommendations. And since I love animation, that will be the focus of this week’s picks. All of the screenings are happening on Sunday and there is some geographic diversity, so hopefully, you can fit one of these into your schedule. They’re (nearly) all movies that I have seen previously and 10/10 recommend.
(more…) -
New Stories on Repertory Cinema, Violeta Parra and More Out Now
Just wanted to give you a quick update about some stories that I’ve recently written for other magazines and newspapers.
Now is a good time to watch a movie. At least it is if you’re in the greater Los Angeles area, where repertory and arthouse cinemas are experiencing a revival. I wrote about the resurgence of in-person movie screenings, focusing mainly on Philosophical Research Society in Los Feliz and The Frida Cinema in Santa Ana for Premium, which is the magazine Southern California News Group newspaper subscribers. Click here for a gift link to read the story.
(more…) -
Cheech & Chong’s Last Movie Is the Road Trip Movie/Documentary You Need to See
It’s pretty difficult to find coverage of Cheech & Chong’s Last Movie that’s not riddled with old weed puns. I guess that’s to be expected. Still, the wink-wink-nudge-nudge stoner references in headlines are a little trite when recreational marijuana is legal in nearly half the country and firmly embedded in the pop culture of all 50 states. As for the latter, much of that is because of Cheech and Chong. Without Up in Smoke, there would be no Half Baked or Harold and Kumar Go to White Castle or Evil Bong. Cheech & Chong essentially invented the stoner comedy, but that’s only part of the story.
Cheech & Chong’s Last Movie is a documentary framed as a road trip movie. The premise is that the influential comedy duo, who released a string of hit records and then movies, between the 1970s and 1980s, are on a road trip in the desert. As they head to a place called The Joint, they recount their life stories through interviews, archival footage and a few interjections from others who were there. Directed by David L. Bushell, who previously produced movies like Eternal Sunshine of the Spotless Mind and Dallas Buyers Club, the movie uses a few different devices to blur fact and fiction. This is all done to drive home one universal truth: No two people see the same situation the same way.
(more…) -
Goodbye Horses: The Many Lives of Q Lazzarus Is More Than a Music Documentary
Cover of the soundtrack for Goodbye Horses: The Many Lives of Q Lazzarus out on Sacred Bones If you’ve ever requested “Goodbye Horses” at your local ‘80s or goth club, you need to seek out the new Q Lazzarus documentary. TBH, you need to see this movie even if you’re tired of hearing the song from Silence of the Lambs at every spooky night in town. You need to see it even if you think you don’t know what I’m talking about because- trust me- you will once year hear the first few seconds of the melody. Goodbye Horses: The Many Lives of Q Lazzarus, directed by Eva Aridjis Fuentes, is a must-see music documentary, in part because it’s much more than one song that became an unexpected club hit. This film is no nostalgia ride. In it, Diane Luckey, aka Q, shares her struggles and what ultimately led her to vanish from music in the mid-1990s.
Last month, I reviewed the Goodbye Horses soundtrack for Bandcamp. The 21-song collection is the first ever full-length Q Lazzarus release and, while listening to it, I was stunned by how she built up a large and eclectic body of work over a 10 year period, yet struggled to find anyone to release it. So, I went to a screening of Goodbye Horses at Philosophical Research Society in Los Feliz on Friday night to find out what happened. While I had read about bits-and-pieces of Luckey’s life and knew that she died while the documentary was in the works, I wasn’t expecting the revelations that come in the film.
(more…) -
Dinner in America and the “Watermelon” Earworm
Patty (Emily Skeggs) singing “Watermelon” in Dinner in America I had “Watermelon,” the song that Patty sings in Dinner in America, stuck in my head for nearly a week, so I decided to watch the movie again. Of course, the earworm burrowed deeper into my brain.
“Fuck the rest of them
Fuck ‘em all
Fuck ‘em all but us”
(more…) -
The Juniper Tree: Ingmar Bergman meets Brothers Grimm in this 1990 Movie Starring Björk
The Juniper Tree (1990) The Juniper Tree is one of those movies that’s been kicking around on my “To Watch” list for ages, but it wasn’t until last weekend that I finally saw it on Kanopy. The film, made in Iceland by American director Nietzchka Keene, was released in 1990 and is probably best known as “Björk’s first movie.” Several years ago, The Juniper Tree was restored and re-released. Since then, it’s been making the rounds on the repertory cinema circuit. In fact, if you’re in L.A. and want to see it in a theater, you can catch it at Philosophical Research Society on Saturday, February 22.
While Björk is clearly the movie’s selling point now, she’s not the only reason you should check out The Juniper Tree. It’s a stunning movie that makes good use of the landscape to tell a modern-medieval fairy tale with a Seventh Seal feel.
(more…) -
Valley Girl Is the Best ’80s Teen Movie
Julie (Deborah Foreman) and Randy (Nicolas Cage) in Valley Girl. Television and film is loaded with heart-to-hearts between kids and parents where young people learn that you shouldn’t judge someone by how they look or what they have, but by who they are. The conversation in Valley Girl, though, hits a little differently than the rest. Julie, the lead Val in the 1983 film, is torn between the Hollywood punk she likes and the preppy dumbass that her friends want her to date. Julie’s dad adds that it’s not just what’s inside a person that counts, but “what they stand for.” Then he reminds her that not everyone will be okay with her choice because, “There are lots of people out there who just ain’t happy unless you live and think the way they do.”
The answer should be simple, but it isn’t. It never is.
(more…)
