I saw the first Future Islands fan rush the stage at the end of “Corner of My Eye,” which closed out the band’s main set at The Shrine on Wednesday night. The way I remember it, which may or may not be 100% accurate, Samuel T. Herring was singing “thank you, thank you.” Someone in a plaid shirt ran up from audience’s right hand side and embraced the singer. Security appeared. Herring said something along the lines of, it’s okay. Later on, when Future Islands and openers Oh, Rose were in the midst of a “Vireo’s Eye” dance party during the encore, I saw two more people hop on to the stage, where they were promptly chased off by security. It was a déjà vu-inducing scene for me, and maybe for anyone else in the crowd who has been to a Morrissey show. 

It was a fitting end to the night because, nearly two hours earlier, when Future Islands kicked off the show with “King of Sweden,” I thought, this vibe is so Morrissey. Herring has a different style of performance than Moz— there’s a good amount of HIIT-level cardio happening during a Future Islands show— but he also taps into a similar level of intensity that is infectious. The teenage girls in front of me bopped up and down excitedly. The totally ordinary looking dudes a few rows in front morphed into dancing machines. I wondered if anyone would rush the stage. It took a while, but they did.