The Beatique 2024 Year End Mix is here. I recorded a live set at home featuring songs from all of the albums featured on my Best Albums of 2024 list, plus a few of the bangers that made their way into my DJ sets this year. I didn’t want to rank club hits this year, but there are four songs that really stood out for the crowd reaction that they get. Those are: French Police “Her”; Twin Tribes “Sangre de Oro”; Blood Club “No Quiero Bailar”; Glass Spells “Hechizos.” All four songs are on this mix. There are also a couple songs that actually came out in 2023, but turned up in my sets this year, so I figured those were worth including as well.
But, this isn’t a club mix. Think of it more like a college radio show without the mumbly airbreaks. There are some more ambient tracks, rock songs, etc. in here as well. The mix is a little over an hour-and-a-half, so put it on whenever you have time to listen and, if you like it, share it. Thanks for listening and, for those of you in L.A., I hope to see you at Underground’s New Year’s Eve party on Tuesday night. Scroll down for the set list.
Ride live at The Fonda on Thursday, December 19, 2024 (Pic: Liz O.)
Early on in Ride’s set at The Fonda on December 19, as the band played “Dreams Burn Down,” the spotlights danced furiously with every wave of guitar noise that crashed over the crowd. Small specks of light flickered across the dark walls of the theater, burning out as soon as the shoegaze interludes cut back to the song. Everything was tightly choreographed, the lights and sound so in sync with each other that it was as if I had been swallowed by the music. When you can imagine the music as this living, breathing entity and you are, if only for a moment, existing in the belly of it, it’s an amazing, and rare, feeling.
This was my first Ride concert and, honestly, I think it’s an ideal time to see the band. While I love the now-classic albums, Nowhere and Going Blank Again, Ride released an album this year, Interplay, that’s a career best. It’s a fantastic collection of psychedelic guitar pop and one of my favorite albums of 2024. If you haven’t heard it yet, you should fix that asap.
I’ve been listening to Interplay since it was released earlier this year and had wanted to finally catch Ride on this tour. In fact, I was about to check for tickets when my friend Melissa was all like, just won tickets to see Ride, want to go with me? Of course, I did. This was an even better opportunity. Melissa and I have been friends since sometime around Y2K, when we crossed paths nerding out over British bands first in a chat room and then IRL at places like Cafe Bleu, a club night in West Hollywood at the time where you could actually dance to “Twisterella” and sway to “Vapour Trail.” Yet, neither of us had seen Ride before, so this was bound to be a memorable night.
Confidence Man dropped a Christmas banger last week, called “Santa’s Comin Down the Chimney.” It has a late-‘90s electro-techno thing going, like Dopplereffekt or Miss Kittin and the Hacker, which is really weird for a Christmas song and something that I, a person who is extremely picky about holiday tunes, can appreciate. If you were at The Mermaid for Splash! Sundays last night, you might have heard it sandwiched in between Del the Funky Homosapien and Crystal Castles.
Splash is an open format night, so, really, anything goes as far as the music is concerned. Since this was the Sunday before Christmas, and The Mermaid has its “Siren Who Stole Xmas” pop-up going on right now, I brought a few of my favorite holiday jams, like Charo’s disco-fied “(Mamacita) ¿Donde Esta Santa Claus?” and a really specific remix of “El Burrito de Belen” that took one holiday season of heavy Googling to find.
Still, I could have kicked myself for forgetting to download Los Bitchos’ holiday EP before the gig, but all their songs are good for a party, so “Talkie Talkie, Charlie Charlie,” from the band’s latest album,Talkie Talkie, made it into the set. Male Tears’ new one, “Little Doll,” which landed in Friday night’s set at Catch One, made a reappearance. A handful of 2024 faves— Fontaines D.C., Pet Shop Boys and La Femme included— turned up in Sunday night’s set too. It’s a real mixed bag, but I swear, if you were there and heard the set, which lasted from 8 p.m. until about 10:30 or so, it totally made sense. Keep scrollin’ to see what else was heard at Splash! Sundays on December 22. Next gig is New Year’s Eve at Underground. See you there.
Cover art for “Little Doll” single from Male Tears
I wasn’t planning on playing anything super new at last night’s Nocturno-presented fundraiser for Refugee Children Center. The Cure was the theme for the night and, by 1 a.m., I was trying to squeeze in as many songs from the band as possible. But, also, the crowd was riding this darkwave-meets-Italo-meets-Crystal Castles vibe, so right after Mr. Flagio’s classic “Take a Chance” faded out and “Vanished,” the Crystal Castle song, took over, I thought that new Male Tears song might work. And it did. Actually, “Little Doll” worked really well. It kept the crowd going between and segued nicely to “Fotonovela,” the old Spanish synthpop tune from Ivan, which lead to Depeche Mode and then to more Cure to close out the night.
Male Tears dropped “Little Doll” earlier this month. I gave it a listen because I liked the cover art. IDK if ‘80s Eastern European Fantasy Film is the intended aesthetic, but that’s how I see it and I love it. It turns out that I loved the song too. It’s catchy synthpop with a just a hint of early ‘90s Eurodance creeping in the background. Definitely a keeper. (If you want to snag a copy for yourself, here’s the link to the song on Bandcamp, which I think is still the more artist-friendly option.)
Anyhow, thanks to everyone who came out last night to dance and support Refugee Children Center. Here’s the set list.
This Friday, December 20, Klub Nocturno presents a special new wave vs. post punk night at Catch One (4067 W. Pico, 90019, in the Noise + Tavern room) to benefit Refugee Children Center. This is an 18+ event for a great cause, plus I’ll be in the DJ booth with all the bangers from Joy Division to French Police, so click this link to pick up tickets for Friday night.
On Sunday, I’ll be at The Mermaid (428 E. 2nd St. 90012) for Splash Sundays. Catch David Christian and I on the decks playing a cross-genre, cross-decade mix from 8 p.m. until last call. I’m playing the first half of the night and David will be closing. While you’re there, check out the Siren Who Stole Xmas menu with special holiday themed drinks benefitting Adopt-a-Family. There’s no cover, but this is a 21+ venue.
Speaking of The Mermaid, the Little Tokyo bar will be open on Christmas Eve, which, as you likely know, is a rarity in Los Angeles. I actually stopped by their Christmas Eve karaoke party last year and it was a good time, so check it out if you’re in the area.
As for the rest of the week, Ride, who released one of the best albums of 2024 (according to me), is playing The Fonda on Thursday, December 19. Tickets are still available. Maybe get one as a Christmas present to yourself. Meanwhile, The Monolators are at Scribble on Saturday night. The long-time local band has a smattering of seasonal jams to their credit like “Santa Claus vs. Dave Matthews” and “Hot Sleigh,” so if you’re looking for something with super indie holiday vibes, this is the place to go. And, if you’re all like, “but I have kids and no babysitter,” bring them with you. The show is all ages *plus* there are discount tix for those 12 and under.
Mostly, clubs and concert calendars are light between now and New Year’s Eve, but movie theater schedules are stacked. For the Westsiders, there’s a 50th anniversary screening of Phantom of the Paradise at the Aero on Thursday night. Across the city, you can catch holiday classics like Black Christmas, Die Hard and, one of my personal favorite, Tokyo Godfathers. Elf is screening on multiple days at multiple theaters, but I went to an Elf Movie Party at Alamo Drafthouse earlier this month and it was so much fun that I have to tell you to try and snag one of the few tickets left for Monday’s event. Also, although I didn’t list it below, Y2K is still showing around L.A. I caught it at Alamo recently and loved it. Go check it out before it becomes whatever the equivalent of a cable classic is today.
Keep scrolling for details on these and other events happening in L.A. between December 19 and December 25, 2024.
Last night was a blast! Thanks to Larry G. for having me play at Underground last night and for everyone who turned up to my Friday the 13th darkwave birthday gig. I’ll be back at Underground for New Year’s Eve. Tickets are available now, so click this link to get yours asap. Keep scrolling to see what I played last night.
Spoiler alert: Romance by Fontaines D.C. is the album of the year.
Year-end lists are tough. I don’t even know how many versions of my top 2024 albums I drafted before settling on this one. It was, originally, a 10 album list. That just wasn’t working, though, so I expanded it to 15 and still ended up cutting a bunch of albums that are fantastic. What I’m getting at is that I’m not going to argue with anyone about what isn’t or isn’t on here. I already spent a few weeks arguing with myself and will probably continue to second-guess every choice until it’s time to make the 2025 list. If you don’t like it, make your own list.
All of these are albums that I like to listen to in full. A few of the picks have songs that turn up in my club sets, but club-friendly music is not a requirement here. I’ll have another list for that and, likely, a mix as well, so keep checking back between now and New Year’s Eve. Until then, read on for my top 15 albums of 2024.
I’ll be back at Underground with Larry G. this week. Join us at Grand Star Jazz Club for a special Friday the 13th edition of Club Underground. It’s darkwave night and my birthday party, so don’t miss out on this one. Advance tickets for Underground on Friday the 13th are available now and, while you’re at it, click here to pick up tickets for Underground’s New Year’s Eve bash.
“What else is happening this week?,” you (didn’t) ask. Well, here’s the lowdown. Saturday night is going to be a busy one this week. Cut Chemist, one of L.A.’s very best DJs, and friends are playing at Lodge Room. Lara Sarkissian, an amazing producer who merges both modern electronic and traditional Armenian music, is playing live at Sooki Studio in Frogtown to celebrate the release of her debut full-length, Remnants. Plus, later in the evening French pop soirée Décadanse is happening downstairs at the Grand Star, while goth night Disintegration goes down upstairs.
Sunday is the annual Depeche Mode Convention at Avalon, which is always a good time filled with DJs, tribute bands, contests and host Richard Blade. This year, Devotional and Blasphemous Rumors are playing live and the DJ lineup includes Alex Transistor, Larry G., Protokall and Dark Chrystal. It’s also an all ages event. On Monday, Museum of Home Video, the fantastic found footage livestream, will be at Vidiots, where IVOR hosts “A Holly Jolly Dollython” filled with music videos, live clips and TV performances. Check out the trailer to see what’s in store. There’s a lot more happening in L.A. this week too, so check out the list below.
We were looking for a movie to see because it was Tuesday, when tickets at Alamo Drafthouse are close to half-price. The problem was that little looked particularly worthwhile. I have absolutely no interest in ever seeing Wicked, Nightbitch looks like something I might eventually watch if it turns up on streaming and, IDK if I was really in the mood to be terrified by Hugh Grant in Heretic.
But, this Y2K, the new movie directed by Kyle Mooney, sounds pretty funny, especially since we’re old enough to remember the build-up to that New Year’s Eve. In real life, people spent a full year playing “1999” ad nauseam and hawking survival kits, but, then nothing happened. The sky was not all purple. People weren’t running everywhere. We didn’t even get a computer crash. The world remained somewhat normal, or so we thought. And another two decades would pass before I could listen to “1999” again.
Book release party cake with cover of House of Hearts. (Pic: Liz O.)
When I was a teenager, I read Francesca Lia Block’s L.A. punk fairy tale Weetzie Bat for the first of many times. The book left a monumental impression on me— which is wild considering that it’s just a bit over 100 pages long— that it remains one of my favorites. In fact, every one of her books that I’ve read has left me in awe, including House of Hearts, which was just released on paperback last week.
In an appropriately magical turn of events, I got to DJ the House of Hearts release party at Gold Digger’s last night. It was great fun, with live music from The Zero Collective and Movie Club, plus a VJ set from Crunch-ø-Matic. I played a 90 minute set at the end of the night with mainly indie and new wave jams. The set list is below.
