Underground at Grand Star Jazz Club 11/29/24 (Pic: Liz O.)
The first surprise of the night was playing Underground, which, as always, was a blast. The second was when my husband I realized that Ryo (@human_revo), who has been documenting his cycling journey across the U.S., was in Chinatown. In a joint effort, we invited him and his crew to Underground and they stopped by for a bit. The cross-country journey ends in Santa Monica today and I highly recommend watching along if/when they’re live. It’s so inspirational.
Anyhow, here’s the set list from last night. I’ll be back at Underground for my Friday the 13th darkewave birthday bash (click for tix) and will be playing there New Year’s Eve. (Click here for NYE tickets.) Tonight is Nocturno with Depresion Post Mortem playing live. The party is already sold out, but if you have tickets, I’ll see you in the new wave vs. darkwave room.
This Saturday, I’m heading down to Orange County to talk about live music at Irvine’s Great Park Gallery for “Concert Photography: Stories and Experiences,” a special event coinciding with the gallery’s current show, Thank You, Good Night: Concert Photography. This is a free, all ages get together that takes place from 1 p.m. until 3 p.m. Great Park Gallery is located at 270 Corsair, Irvine 92618 and you can find more information on the Great Park website.
I’ll be back in L.A. on Saturday night to DJ alongside Vanish and Filthy Rich for Club Retro Boom’s first anniversary party, on the second floor of the Grand Star. We’ve got a good mix of Rock en Español and ‘80s to play for you from 9:30 p.m. until last call. (My set time is 10:30 p.m., btw.) Discount, advance tickets are available now on Eventbrite, so click this link to get yours. This is a 21+ party and you’ll find the Grand Star at 943 N. Broadway in Chinatown’s Central Plaza, next to the Bruce Lee statue.
As for the rest of the week, the big ticket event that I will 100% recommend here is La Femme at the Palladium on Tuesday night. I normally try to keep this list of recommendations to events that are $30 and under. La Femme is more, but the show will totally be worth it and I’m comfortable saying that because I saw La Femme at the Belasco a couple years ago and they blew my mind. (Click here to read the story I wrote about this show for Audiofemme.) Additionally, Sam Quealy, who I also interviewed for Audiofemme back in 2022, is opening again and she’s fantastic. If you’re going to the show, get there early enough to catch her set. I mean it.
For free shows, Kingston Ska Orchestra and Los Rebeldes Romanticos are playing at Union Station’s tree lighting ceremony on Monday. This is an early evening event, but if your commute takes you through Union Station, I suggest making a detour and catching some of the show. On Tuesday, Oasus, the Oasis tribute band, is playing Zebulon. I DJed their show at Harvard & Stone last year and their set was so much fun. If Oasis is your jam, definitely check them out.
There are a lot of great movie screenings happening this week, including The Devils at Videotheque and El Conde at Libros Schmibros on Friday night. Plus, Tokyo Godfathers, one of the best Christmas movies ever, is at Vidiots on Sunday. Also on Sunday is a holiday special at Philosophical Research Society with retro film clips and the Bob Baker marionettes. As for the night before Thanksgiving, I think the best party option is PIE! over at Akbar. The cover is low— free before 9 p.m. and $10 after that— the DJs are fantastic and there will be pies for sale. It’s also a canned food drive, so bring something with you if you’re going.
The holidays have arrived at The Mermaid (Photo: Liz O.)
The Legend of the Stardust Brothers is playing on one of the TV sets inside The Mermaid when I arrive. The movie is bonkers in the best way possible and, since it just started, I take that as a sign that tonight’s going to be a good night. And it is. I start playing a little before 8 p.m. and, not long into the set, someone starts dancing to Amy Winehouse, then continues through Freda Payne at Stevie Wonder. Someone else starts head-bopping to Talking Heads and the guy who was dancing to the soul jams sings along with Madonna.
Splash!, on Sundays at The Mermaid, is not a genre-specific night, so really, anything goes at the DJ table. For two-and-a-half hours, I jump across decades, from the 1960s until today. I work in “My Generation,” from the latest La Femme album, which I’ve been listening to on repeat since I bought it earlier last week, and two songs from Fontaines D.C.’s album-of-the-fucking-year, Romance.
The crowd ebbs and flows, as is usual at bars, but it’s always a vibe. A group sitting next to me ask about “Tears Run Rings.” It’s Marc Almond, I tell them, “y’know, from Soft Cell.” They don’t know. I realize that we’re at a point where young adult Angelenos don’t remember the good KROQ Flashback Weekends, when you could hear “Sex Dwarf,” and maybe even “It’s a Mugs Game,” several times before Sunday night came around. I think that my new calling might be preserving the legacy of Los Angeles as a city where Soft Cell is not a one-hit-wonder.
The Phantom of the Paradise is playing when I finish up my set at around 10:30 p.m. David and Stefano take over on DJ duties. (Go listen to their project Tibia, especially if you’re into synthwave.) They’re playing jams and I hang out for close to an hour after I play to chat with them and wait for the rideshare prices to drop. Camp Flog Gnaw, which was happening at Dodger Stadium, must have just let out because Lyft is a good $3 more than it normally is at this time and Uber is more than double it’s usual price. When Lyft finally comes down to a rate that I’ll settle for paying, I head home. I mention the show and the surge prices to my driver, who starts telling me about how much less the drivers are making now than pre-pandemic. He said the drivers are basically “fighting for crumbs” right now, which I understand, and which you probably get too, because that’s life in the 2020s if you aren’t the sort of person who can pay to make elections go your way. It’s a conversation that I’ve had with a lot of drivers lately, but this one ends on a hopeful note, and I think that this same conversation keeps happening is hope. It means that people are seeing that tech wields far too much power over our existence right now and things have to change.
But, anyhow, you probably just came here to see what I played last night, so here’s the set list. Maybe come out to a gig soon. Click on this link to see where I’m playing next.
Time Masters, Rene Laloux’s collab with Moebius, screens at Brain Dead in Los Angeles on Sunday, November 17
My next DJ gig isn’t until November 23, when I’ll be playing with Vanish and Filthy Rich at Club Retro Boom’s first anniversary party, but I have a bunch of recommendations for you for events happening in L.A. between Thursday, November 14 and Wednesday, November 20. These include live music, DJ events and movie screenings and they’re all budget-friendly.
[Update: Turns out that I will be DJing this weekend. Catch me on Sunday, November 17, at The Mermaid in Little Tokyo (428 E. 2nd St., in the mini-mall on the corner of 2nd and Alameda) for Splash! This is a 21+ night and there’s no cover. I’ll be playing first, roughly from 8 p.m. until 10 p.m. or 10:30 p.m. It’s not genre specific. Check out this playlist to see what I dropped at Splash last month.)
On Thursday, seminal goth band The March Violets are playing at The Echo. Their latest album,Crocodile Promises, came out last summer and it’s a good one, so listen when you have the chance. If you’re into shoegaze and psychedelic sounds, I highly recommend Family of Light’s residency at Harvard & Stone on Friday night. I DJed the band’s show at the same venue earlier this year and they’re fantastic. Plus, Izzy Outerspace (who I also played with previously at Harvard & Stone) is on the bill as well. If classic Jamaican tunes are your jam, don’t miss Riddim ’n Brews 3rd Anniversary on Sunday at Creature Comforts.
For friends in the South Bay, Friday night at Gardena Cinema looks like it’s going to be a time. I had never heard of Psycho Ape! before, let alone its sequel, but the trailer looks amazing, especially if you’re into Troma-style films. On Saturday afternoon, Heavy Trip, a really fun Finnish black metal road trip comedy, is playing at Alamo Drafthouse. For those who love Fantastic Planet, head to Brain Dead on Sunday to see René Laloux’s collab with Moebius. Time Masters is visually very different from Fantastic Planet, but it’s beautiful and the story is fantastic. Also, it’s one of those movies that isn’t usually streaming, so catch it while you can. Monday night at Alamo Drafthouse is a screening of the new documentary on the late songwriter Allee Willis, who is best known for writing “September,” but also co-wrote with the Pet Shop Boys, “What Have I Done to Deserve This?” When I put together this post, tickets were nearly all gone, so it might be sold out when you read this. Check out the full list below.
Cadal live at Slipper Clutch on November 7, 2024 (Pic: Liz O.)
There are two people in front of me in line at Slipper Clutch, but, from my vantage point at the top of the stairs, I can see inside the venue’s top level bar. The crowd is solid, especially for a Thursday night downtown. Out on the streets, there’s no foot traffic. I can only imagine that downtown Los Angeles’ residents are safely tucked into their luxury apartments, broadcasting night time rituals or sleep hacks or whatever inanity is trending on TikTok this week. Inside Slipper Clutch, though, there’s a lot of life. The bar is bustling, people are walking towards the dance floor. I can hear a band play live, but at this point, I’m not sure which band that is.
I’m at Slipper Clutch to catch Cadal, a band from Santiago, Chile. For the past couple weeks, I’ve been listening to their album, Fiesta Nueva, which came out last year and is full of raw, dark punk energy. On this tour, Cadal is only playing two dates in the U.S., one of which is this show on a Thursday night in early November. It’s the sort of show you wouldn’t want to miss if you’re into borderline-goth, danceable indie bands. Plus, it’s just not that often that you can catch a stacked lineup with a headliner who has never played L.A. before for just $10 at the door. That’s the kind of show I’m compelled to support.
This is going to be a very short list because the highs (Halloween, Dodgers winning the World Series) and lows (the election) of the past few weeks have been a lot and I’m still trying to wrap my head around that.
Regardless, there is one live show that I 100% highly recommend and that’s Cadal at Slipper Clutch tonight. Cadal is a post-punk group from Chile (check out their music on Bandcamp) and they’re only playing two shows in the U.S. Info for tonight is on the list below.
For the city pop and future funk heads, Shibuya Starlight is back on Friday night at High Tide in Little Tokyo. And if French pop is your thing, check out Décadanse on Saturday night at the Grand Star.
As far as movie screenings go, I’m really intrigued by The Cathedral of New Emotions, which is playing at Philosophical Research Society on Saturday night. And I’ll always recommend seeing Grave of the Fireflies, but, bring tissues. Lots of tissues. I’m not kidding. There are still tickets available for the 8:40 p.m. show at Alamo Drafthouse on Monday night.
Keep reading for more of what’s happening in L.A. this weekend and early next week. Also head over to Discover Los Angeles for more nightlife listings.
The scene at Gloria Molina Grand Park for the Dodgers World Series victory parade on Friday, November 1, 2024 (Pic: Liz O.)
After Mayor Bass speaks and the Dodgers continue down the parade route, blue and white confetti rains across the mass of fans gathered in front of two giant TV screens at Gloria Molina Grand Park. The voice of the late, great Vin Scully rises over the cheers from the fans, sounding as if it was a broadcast from the beyond, before the DJ drops in “It Was a Good Day.” The crowd sings along with the Ice Cube jam, filling in when the DJ scratches out the less family-friendly lyrics, although I doubt anyone here would complain about the content of the song. Thirty some-odd years later, everyone in L.A. knows that Kim can do it all night.
An estimated 250,000 people turned up in downtown Los Angeles for the Dodgers World Series victory parade on Friday morning. My husband and I were amongst them. The park was already pretty packed when we arrived at about 10 a.m. We were able to get close enough to see the buses moving beyond the trees at the edge of the park, but the people on those buses were hardly visible. Those jumbo screens came in handy. Still, I’m listening more than I’m watching.
For the past week, I’ve been following the siren call of the World Series, a sound so captivating that sucks you deeper and deeper into the game until, suddenly, all of your timelines, both online and IRL, are Dodger blue.
