See you at Club Underground on Friday, December 5 (Pic: Liz O.)
I’m back at Club Underground this Friday, December 5, and we’re going to be celebrating my birthday. Advance tickets are available now, but you can also get them at the door on Friday night at Grand Star Jazz Club inside Chinatown’s Central Plaza, right next to the Bruce Lee statue. Party starts at 9:30 p.m. and is 21+.
So, what’s in store for Friday? IDK, but it’s my birthday (sort of, my actual date of birth is on a weeknight this year), so I’ll probably make you dance to Fontaines D.C. And Sextile and Confidence Man and The New Eves. We’ll see what happens.
Anyhow, that’s not all that’s happening this weekend in Los Angeles, so keep reading for some of my recommendations.
The vibe in downtown Los Angeles for 2025. (Pic: Liz O.)
For the first of Beatique’s Best of 2025 lists, I wanted to highlight political songs for a very specific reason. Politics aren’t brand safe. You’ll risk alienating the people who disagree with you. You might scare off the companies who would otherwise want to work with you. Blah blah blah. But, at a certain point, if you’re someone with a platform, be it music, art, film or writing, you will need to ask yourself, “Am I a brand? Or am I a human being who actually gives a shit about what’s happening in the world?” Hopefully, the latter is the answer.
Particularly in this moment, we need artists who are willing to be outspoken. For every semi-anonymous person (or bot) chiding you to “stick to the music,” there will be many more motivated to say, I’m against this too. Some might go to a protest, or write their local representatives or get involved with activist group. Maybe music can’t change minds, but it can prompt the quieter people to raise their voice. And, maybe, years from now, kids listening to the 2025 throwbacks will hear that there were people against genocide and fascism and exploiting workers and everything else that’s coming to a head right now. That said, much respect to the eleven artists on this list. They are by no means the only people making political music in 2025, but they made the songs that have been in my personal rotation. In keeping with an egalitarian theme, this list is not ranked.
This Friday, November 28, is Nocturno over at Catch One with five rooms of dancing. I’ll be in the Rock en Español vs. cumbia room all night and hope to see you on the dance floor.
From its first note, “Mini, Midi, Maxi,” the opening track off Bourj Hammoud Groove, Habibi Funk’s new Ara Kekedjian retrospective, will transport you to another time and place. You don’t know where in the world you are, but it’s somewhere around the end of the 1960s and you’re feeling very jet set as you shimmy against psychedelic lights in your Paco Rabanne fit while smoking a really long cigarette. The band is giving Jacques Dutronc energy with a song that falls somewhere in between “Mini, Mini, Mini” and “Et Moi, Et Moi, Et Moi.” You don’t really understand the lyrics, but it doesn’t matter. Vibe transcends language at the global disco-a-go-go.
If there is one song on Chin Up Buttercup that summarizes this fifth full-length album from Austra, it’s “The Hopefulness of Dawn.” The six-minute epic opens with a cavernous, echoing intro that plays up the ethereal quality of Katie Stelmanis’ voice. Then, at about two-and-a-half minutes into the song, the raver synths kick in, rising with her voice as a new rhythm overtakes the song. Stelmanis’ name-checks Ray of Light as an influence and, indeed, “The Hopefulness of Dawn” does play out like Austra’s twist on the title track from Madonna’s era-defining 1998 album in that it’s an ecstatic, almost spiritual, slice of dance music.
August, the latest album from Karen Schoemer, began with the prompt to write a poem a day for a month. Sounds like a straightforward premise, right? In reality, it was a multi-year process of writing and cutting and pasting before recording the poems, which are backed by music that pals like Mike Watt, Oli Heffernan, Amy Rigby, Wednesday Knudsen and others composed.
“I had the idea to make an album in August of 2022,” Schoemer recalls on a recent video call. That’s when she emailed her collaborators with the idea as well. “Oli Heffernan sent music within an hour. He was like, here are seven pieces of music that I’m not doing anything with.” A few others composed pieces with only the knowledge that the piece needed to be about two minutes long and it was for a project called August.
It’s a big week for Brian Jonestown Massacre fans in L.A. The psychedelic band is playing two nights at Teragram Ballroom and, while the show on Saturday, November 22, is totally sold out, there are still tickets available to see them on Sunday, November 23.
In addition, there are two related film screenings happening within the next week. On Saturday, November 22, Dig! XX, the 20th anniversary of the cult classic Brian Jonestown Massacre/Dandy Warhols documentary screens at Brain Dead Studios with Joel Gion of the band on hand for a Q/A session with moderator Yasi Salek of Bandsplain Podcast. Over at Philosophical Research Society on Tuesday, November 25, you can catch the world premiere of God Is My Girlfriend, a BJM jam session filmed in 2010 that has not been screened in a theater until now. Members of the band will be at the premiere as well.
Keep reading for more happening around town between today, November 20, and next Wednesday, November 26.
November 18 is the last day of Nils Vik’s life. And, for his final act, the elderly ferryman boards his boat and navigates the fjord, as he has done on so many other days. This time, though, he is joined by his dearly departed, yet still trusty, dog. As he travels the waters that he knows so well, Vik encounters a legion of passengers who, like his dog, have already died. As memories and revelations of his life rise to the surface, Vik awaits the one person with whom he wants to reunite, his late wife.
The latest novel from Norwegian author Frode Grytten, The Ferryman and His Wife is also his first to be translated into English. In Norway, Den Dagen Nils Vik døde (English: The Day That Nils Vik Died, according to Wikipedia) was released two years ago and went on to win the country’s prestigious Brage Prize. The U.S. edition, translated by Alison McCullough, came out just last week and it’s a must-read.
Nora Keyes is a woman of many bands and, if you’re even slightly acquainted with Los Angeles’ DIY scene, you probably have seen her on stage. Maybe it was with The Centimeters, who were active between the late ‘90s and early ‘00s and will reconvene on November 29 for Spaceland’s 30 year reunion bash at the Regent. Or, maybe you’ve seen her with ‘00s glam outfit Fancy Space People, who also recently reunited for select shows. More recently, there is Tinglez, Keyes’ Italo disco side project with and Bebe McPherson and Eric Nordhauser, and her primary musical focus, Elf Freedom, the improvisational psychedelic band whose 2024 album, Solstice earned raves from Bandcamp and a number of genre-specific publications and was recently released on vinyl via Greek record label Twisted Flowers.
Recorded on the summer solstice of 2023, the album began as a jam session that evolved later with overdubs and became a collection of songs that you likely won’t hear live. “If someone asked us to play that album, we would probably do a variation of the chord progressions, but it would be a whole other improvised thing,” says Keyes.
Cover of International, the final album from Saint Etienne
Had been meaning to get “Save It for a Rainy Day,” from the latest Saint Etienne album, into my club sets for a good minute. It was sort of appropriate that the first time I played it out was at Underground last night, on account of the rain and all. The whole album, International, is fantastic. It’s also Saint Etienne’s final album, so do pick it up when you have a chance.
I forgot to take pics. It’s okay, we can use our imagination. Shout out to the handful of people who were on the dance floor for nearly the entire night and to the Kneecap fans who know all the words to “H.O.O.D.” I was impressed. Set list is below. The new-ish stuff is in bold and links to other mentions of the artists on this site.
